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TO BE HERE IS IMMENSE

A wryly self-aware story of truth-seeking that becomes darkly gripping in its final pages.

Simons, an assisted-death advocate, recounts her religious odyssey and the loss of a spouse in this memoir.

From a young age, the author exhibited a spiritual hunger. She attended lectures on esoteric philosophy, joined Haitian charismatics at prayer in Harlem, sung Mass in Latin with nuns, and sought the wisdom of spirit guides in a psychic church. Over time, this relentless questing left her feeling cynical and jaded: “With the reckless abandon of a drowning person…I doubled down on my search for God, checkbook in hand.” Then she encountered the Hindu guru Sri Mātā Amritānandamayī Devī, known as Amma, and this, Simons says, transformed her life. She became a devoted disciple, following Amma across the world and beseeching her to bless her marriage to Scott Rice, whom she met in the course of her work as an advocate for medical aid for the dying, and whom she describes as “the only person who has truly loved me.” After a string of bad relationships, she was smitten with the handsome American Canadian expatriate and conscientious objector, a National Merit Scholar whose first wife had died young with the assistance of the organization Compassion in Dying. Scott became fascinated by Amma, and after a flood led to deadly mudslides in the Indian state of Uttarakhand, he received her blessing to visit the afflicted region and blog about the rescue mission. Owing to the dangerous nature of the job, he traveled alone. Simons rarely heard from him and began to feel increasingly estranged. During his occasional visits, she was tense and withdrawn; in his absence, she worried about all the ways in which he might perish while away from home. The end, when it did come, was devastating.

In this wide-ranging memoir, Simons demonstrates an omnivorous intellectual and spiritual curiosity that calls to mind Dorothea Brooke, the protagonist of Middlemarch. By turns bawdy, self-deprecating, and good-humored, she proves an ideal narrator for the story of a woman driven by a passion for knowledge and justice, resulting in ventures that can be rewarding but sometimes ill-advised (including time spent with a cult). Her narrative voice is utterly charming throughout and, regardless of one’s politics or philosophy, comes to feel, by the end, like a conversational and well-informed friend. In the book’s final third, Simons provides an unsparing dissection of a marriage that was already suffering from Scott’s negligence, even before his sudden death. As his emails became less frequent, she grappled with feelings of betrayal toward Amma (“My spouse was officially an Amma roadie”) and questioned whether she even still wanted to be married. That self-awareness, and her willingness to embrace the relationship in its totality, rather than glossing over its less-pleasant aspects, makes the latter part of the book a thing of enduring fascination—one that will linger in the reader’s mind long after the book’s end. It’s a much-needed cautionary tale of how physical separation and lack of communication can rupture even a seemingly perfect romance. A wryly self-aware story of truth-seeking that becomes darkly gripping in its final pages.

Pub Date: N/A

ISBN: 9781957468648

Page Count: -

Publisher: Wild Rising Press

Review Posted Online: July 16, 2026

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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