A richly detailed portrait of Black community life, grounded in lived experience.
A son pays tribute to his mother, whose daily acts of service helped sustain the Black community of mid-20th-century Selma, Alabama.
Jones grew up as one of nine children raised by Carrie Louise Lundy Jones Hunter, a nurse and midwife who spent decades delivering babies and providing medical care to families locked out of mainstream health care by Jim Crow laws. The book moves chronologically, from stories of the author’s grandmother Hettie—the matriarch of St. Ann Street who dispensed whiskey by the shot as neighborhood medicine and sent young Carrie off to school each morning with the reminder, “you’re a Lundy wherever you go”—through accounts of Carrie’s training at Good Samaritan Hospital. Jones’ vivid rendering of these two women provides an immersive and satisfying experience. Carrie’s more than 20-year partnership with Dr. Isabelle Dumont, a German Catholic missionary physician, serves as another narrative anchor. This partnership functioned as a Catholic mission operation that provided medicine, education, and financial support to Selma’s Black families, with Carrie as its essential bridge to the community she served. The family home became a hub for mutual aid, informal medical care, and civil rights organizing. Jones and his siblings marched on Bloody Sunday at the Edmund Pettus Bridge on March 7, 1965; their uncle DeeDee, the family jokester who turned up at pea-shelling parties with a cigar stub in his mouth, turned out to be the man photographed next to John Lewis on the Time magazine cover of March 19, 1965. The text is hampered by repetition—the same lessons about service and collective responsibility circle back across chapters with diminishing force, and the prose occasionally settles into tribute when scene-setting would serve better. The inclusion of historic photographs elevates the narrative, providing faces to the names Jones has carefully assembled. Ultimately, the book offers a heartfelt and historically grounded account of the unrecognized labor that held a community together during a difficult time.
A richly detailed portrait of Black community life, grounded in lived experience.Pub Date: March 12, 2026
ISBN: 9781889101156
Page Count: 216
Publisher: Patrick-Turner Publishing/Nouveau Press
Review Posted Online: May 1, 2026
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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