An engaging revival of a talented, expat painter who was overshadowed by his midcentury contemporaries.

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Work Standing Up

THE LIFE AND ART OF PAUL FONTAINE

An exhibition catalog, published on the occasion of a recent retrospective at Baylor University’s Martin Museum, focuses on the three artistic periods of a forgotten American painter.

This book commemorates the centennial of Fontaine’s birth and consists of a preface and biography by the author, the artist’s youngest daughter, a foreword by Baylor University art history professor Kate Robinson Edwards, and essays on Fontaine’s career by art historians Margaret Senz and Mary Brantl and artist Robert Linsley. (Chidester notes that this year is also the 100th anniversary of the famous New York Armory Show that changed the world of modern art.) Fontaine doesn’t fit neatly into any genre, category or regional school of painters; Linsley, in his essay, refers to the painter’s work as “cosmopolitan modernism,” and in an “artist statement” written in 1949, Fontaine called his work “non-objective pictures.” “All art, just as time, is in transition,” he wrote. He tackled surrealism of the Giorgio de Chirico variety and painted WPA murals steeped in realism, regionalism and social commentary. He was born in Massachusetts of French-Canadian parents, and at the age of 8, he drew an upside-down car good enough to get him into the Worcester Art Museum School of Art. Reproductions of some of his early figure studies from the late 1930s convey his natural gift for drawing. He later earned his bachelor of fine arts at Yale University in 2 1/2 years (it normally takes takes five), and in 1941, he and his new wife, Virginia, began a long life together as expats. He followed his artistic vision wherever it took him, including Darmstadt, Germany, from 1953 to 1970, where he served as the art director for the European edition of Stars and Stripes. Chidester’s well-researched yet intimate biography relies on extensive correspondence and diaries and manages to bring her father’s long-overlooked career to life. She and her fellow essayists brilliantly demonstrate the progress and processes of the artist, who left behind an estimated 600 works in public and private hands. Many of his later, lively, abstract paintings are reproduced in eye-popping color.

An engaging revival of a talented, expat painter who was overshadowed by his midcentury contemporaries.   

Pub Date: June 22, 2013

ISBN: 978-0988835818

Page Count: 208

Publisher: Fontaine Archive, LLC.

Review Posted Online: Aug. 7, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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A short, simple, and sweet tale about two friends and a horse.

Mary's Song

From the Dream Horse Adventure Series series , Vol. 1

A novel tells the story of two spirited girls who set out to save a lame foal in 1952.

Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.

A short, simple, and sweet tale about two friends and a horse.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Hastings Creations Group

Review Posted Online: Oct. 15, 2016

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A persuasive, valuable addition to the ongoing immigration reform debate.

SHOW TRIALS

HOW PROPERTY GETS MORE LEGAL PROTECTION THAN PEOPLE IN OUR FAILED IMMIGRATION SYSTEM

A highly organized, informative discussion of the immigration system in the United States.

In this politically charged environment, Afrasiabi manages to broach the volatile issue of immigration in a well-rounded, surprisingly effective framework that combines case studies, historical research, statistical analysis and personal anecdotes to detail the current issues and propose solutions. Invocations of Kafka, “The Twilight Zone” and “Alice in Wonderland” prove warranted as illustrations of the often surreal circumstances that confront immigrants facing deportation. Immigrants usually lack access to quality legal representation, while their situation can be made doubly difficult due to language barriers and significant cultural differences. Afrasiabi incorporates his work with colleagues and students at the Chapman University School of Law to deftly weave together the facts of several compelling cases and their underlying legal issues, with a genuine sense of suspense as readers wonder if justice will be truly be served. Occasionally, though, the narrative becomes overwrought—two federal laws passed in 1996 are “dark storm clouds depositing their sleet”—although, considering the life-changing effects of court decisions, it’s difficult to overstate the ramifications: extralegal rendition of individuals with pending cases and the de facto deportation of native-born children whose parents are deported. Afrasiabi also addresses the legacy of various anti-alien laws in California, as well as marriage equality for same-sex couples when one partner is a noncitizen. As the subtitle asserts, Afrasiabi employs his additional experience in the field of property law to contrast the stark differences between immigration judges and constitutional judges, like their qualifications, vetting processes and even the oaths they take. His arguments culminate in seven concrete reforms proposed in the conclusion. In order to make the immigration system more just and effective, Afrasiabi claims the solutions are closer than we may think; we can implement procedures and safeguards already in place within the constitutional courts.

A persuasive, valuable addition to the ongoing immigration reform debate.

Pub Date: May 1, 2012

ISBN: N/A

Page Count: 249

Publisher: Kurti Publishing

Review Posted Online: Feb. 7, 2012

Kirkus Reviews Issue: March 15, 2012

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