A promising first effort—filled with strong characters—that shines despite its ponderous writing style.


Calypso Sun

A debut novel explores the past and present of a war-torn land and its leaders over the course of one night.

Violence has haunted Braeland for centuries, as different families and regions repeatedly clash in brutal battles punctuated by only tenuous periods of peace. The source of this unending conflict is religion. While most people live in accordance with sacred texts called the Way, which tell the stories of the two brothers Faedelin and Mehsani, the South sees the latter as their ultimate savior, while the North adores the former. The tale focuses on only one night and the tenuous attempt to sign a peace treaty that follows. Flashbacks explore the pasts of four main characters and connect their personal histories to their emotional and physical wounds. Jon Carrow, a Northern general, is unstable and traumatized after years of displacement and rejection, while his compatriot Payton Tallhart puts on a resolute public face as the soon-to-be-queen of Braeland. She quietly wrestles with memories of her turbulent youth and religious fanatic father. Payton maintains a close friendship with the thoughtful Jem Nalda, now a soldier for the South. Jem’s lover is Lanair Mavogar, reputedly the last living descendant of Mehsani and once the adoptive brother of Carrow. Alexander convincingly depicts a complex society riven with deep divisions while also creating fully realized characters whose relationships reflect both personal and political turbulence. The book’s major weakness is a tendency toward laborious writing. Though his characters, worldbuilding, and plot are all intriguing, Alexander often gets bogged down in overly long and complicated metaphors that explore his players’ mental states. These passages elucidate those states far less than sequences that describe these characters in plain language. The story’s many flashbacks sometimes become jarring, as the narrative intercuts between past and present with little indication. The highly complex histories of this sweeping world and the dynamic characters are examined over the entire course of the novel, so acquiring a full understanding requires patience and close reading.

A promising first effort—filled with strong characters—that shines despite its ponderous writing style.

Pub Date: Aug. 28, 2016

ISBN: 978-0-692-60414-4

Page Count: 422

Publisher: CreateSpace

Review Posted Online: Dec. 4, 2016

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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