by Clay Byars ‧ RELEASE DATE: June 21, 2016
A stark, honest book that reads like a writer’s apprenticeship amid harrowing circumstances.
A tragic accident gives birth to a writer.
Before the car crash that almost killed him, Narrative Magazine assistant editor Byars was a college student from a Southern family that included his identical twin brother, Will. This memoir of recovery against considerable odds traces the relationship between the brothers, their innate closeness, and what changed after the accident and what didn’t, but Will doesn’t figure nearly as prominently throughout as the title would seem to suggest. In much of the first half, the author seems to be trying to figure out just what is his story and how best to tell it. The crash in which he was a passenger threatened to kill him and initially seemed likely to paralyze him, and then he suffered post-surgical complications so severe that the doctors predicted he wouldn’t survive for more than one week. Byars beat the odds in terms of both survival and physical mobility, but he still faced a long road to what would never be all the way back. He had to relearn how to talk and to figure out how to get around on his own. And he was on his own a lot, partly by choice (“I only knew what I didn’t want to do: anything to do with stagnation. My parents seemed content with my doing nothing”) but also partly because others his age, particularly potential romantic partners, didn’t quite know how to deal with someone whose body had suffered so much. “My brain felt like the least damaged part of my body,” he writes. “It was painfully undamaged.” Despite occasional wishes that he had somehow forgotten who he had been or the extent of his predicament, his memoir is remarkably free of sentimentality or self-pity. He found both an outlet and a vocation in his writing, and he had to come to terms with the loss of those who had been prepared to lose him.
A stark, honest book that reads like a writer’s apprenticeship amid harrowing circumstances.Pub Date: June 21, 2016
ISBN: 978-0-374-29028-3
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 10, 2016
Kirkus Reviews Issue: May 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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