A deft series of interconnected stories set around a small- town country-club golf tournament. Nearly each of the ten stories focuses on a different person somehow involved in the tournament, beginning and ending with Rod, the country club's golf pro, who is several years removed from the professional circuit yet still young enough to fantasize about making a comeback. He, like most of the characters, has settled for the less ambitious life path. Instead of putting for multi-million dollar purses, Rod deals with members' missing golf clubs, dead dogs in the parking lot, and a night burglar. Then there is the local real estate agent who doesn't golf but hosts a club clambake to help his sagging sales. Unfortunately, he uses discount clams and makes a sour impression. Then, because he sold her car to buy the tainted clams, his wife leaves him. Irate over the club's all- male policy, she also fills the golf cups with cement the morning of the first day of the tournament. Along the way, a concession- stand waitress saves the realtor's wife from drowning but is herself mired in a trailer-park marriage to the night burglar. Among the other assorted semi-losers are the hustling repairman who is having an affair with the concession waitress; the talented but unambitious teenage assistant pro; a hotheaded gambler who carries a gun in his golf bag; the club president's son, who designs generic products to resemble name brands; as well as an aging torch-song singer at the local tavern for whom Rod falls. The most poignant story is ``The Mule Collector,'' in which the club president's arrogance and vulnerability in the face of senility are piercingly rendered. Newcomer McCown's fluid writing is sometimes marred by strained coincidences, and the endings tend to be a tad pat and sermonizing, yet this series of mini-portraits successfully illuminates the subtle details of middle-age people coming to grips with failed ambitions.
Pub Date: March 7, 1995
ISBN: 0-385-47655-8
Page Count: 224
Publisher: Doubleday
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 1995
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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