Dazzling metaphysical epic-adventure as Barker surpasses his previous ground-breaking work (The Great and Secret Show, 1989, etc.) to reconfigure the Fall and to imagine a modern-day attempt to reverse it. A complex cosmology underpins the vigorous, at times horrific, action here: ``Imajica'' is the known universe of five ``Dominions,'' or parallel worlds, four ``reconciled'' but the fifth, Earth, ``unreconciled''—unaware of the other four, of the tyrannical ``Autarch'' who rules them, and of the ``God Hapeximendios,'' who oversees all five (and who wrested ``His'' power from the ``Goddesses'' of old). Periodically, Hapeximendios has sent His ``sons''—including Christ—to attempt to unite, by magical rites, the Fifth Dominion to the others. The last attempted ``Reconciliation'' ended in catastrophe—an invasion of Earth by hellish powers—and today magic has been nearly eradicated from Earth by a ``Society'' that alone knows of the Imajica and of the catastrophe. The densely woven story here opens with a jealous man venturing into London's dankest slum to hire an assassin to kill his estranged wife, Judith; the assassin turns out to be a ``mystif,'' a fabulous creature from the Second Dominion, capable of appearing as the erotic ideal of any who behold it. As the mystif hunts Judith, it in turn is hunted by Judith's former lover, ``Gentle,'' who in time learns that he is the new ``Reconciler''- -and the mystif his long-forgotten servant. Undertaking dangerous, splendor-filled journeys through the other Dominions, Gentle and the mystif fall in love, marry, and encounter numerous fantastic creatures and, finally, death; later, Gentle helps dethrone the Autarch, learns the chilling secret of his and Judith's origin, helps free the Goddesses and slay God, and, back on Earth, inspires the destruction of the Society and undertakes Reconciliation—with hell-borne, then heaven-sent, results. An astonishing feat of the imagination, immensely engrossing despite its demanding—at times indulgent—length, running riot with ideas, fantastical inventions, graphic sex and violence, soul- terrors, and emotional and intellectual resonances. Barker's best yet.*justify no*
Pub Date: Sept. 11, 1991
ISBN: 0-06-017922-8
Page Count: 832
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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