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SACRAMENT

Another ambitious and challenging dark fantasy from the popular author (Imajica, 1991; Everville, 1994, etc.) and filmmaker (Hellraiser), who is almost single-handedly elevating supernatural fiction to new levels of both literacy and intensity. Barker begins in characteristic fever-pitch fashion, with a horrific extended tableau set in the frozen wasteland of Canada's Hudson Bay, where famed wildlife photographer Will Rabjohns is mauled and nearly killed by a polar bear. Sunk in a coma, Will dreamily relives his early years in England: the death of his much- loved (and favored) older brother, his lonely childhood in a small English village, and his fateful and formative encounter with a pair of otherworldly recluses, Jacob Steep and Rosa McGee. Jacob, a self-styled ``Death's Agent'' committed to changing the shape of the world by destroying creatures that are ``the last of their kind,'' and Rosa, a kind of lamia who lures men to sex and to death, came to be accepted by the incipiently psychic Will as ``his connection to something bigger than the life he'd been leading.'' Recovered now from his bear wounds, Will returns to his home in an increasingly moribund San Francisco: He is gay, and he finds ever more friends and lovers dying. Then, in a provocative imaginative leap, he perceives that the destruction of animal species and the wholesale slaughter inflicted by the AIDS pandemic are akin and may spring from the same source—so he returns to England, seeking a reunion with Steep and McGee and the meaning of the riddle with which Jacob had encouraged Will's fascination with dying things: ``Living and dying, we feed the fire.'' By turns suspenseful, intellectually exciting, wildly melodramatic, turgid, and bombastic, Barker's novel is charged—in its complex development and surprising resolution—with very real, very human emotion. A weirdly absorbing and entertaining tale that offers more disturbing delights from one of our most inventive and risk-taking writers. ($175,000 ad/promo; author tour; TV and radio satellite tour)

Pub Date: July 31, 1996

ISBN: 0-06-017949-X

Page Count: 464

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1996

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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