Next book

THE LAST QUEEN

ELIZABETH II'S SEVENTY YEAR BATTLE TO SAVE THE HOUSE OF WINDSOR

Decent modern British history, with cameos by the queen.

A candid look at how the media has portrayed the monarchy.

Despite the book’s title, Elizabeth II remains “a benign enigma” throughout this gossipy romp through a history of the British monarchy. Founding editor of Condé Nast Traveler and former managing editor of the Sunday Times, Irving is more revealing about the dramatic changes in British journalism throughout the 20th century, from the media’s unspoken control of the monarchy’s public image—the Sunday Times once sounded like “the membership committee of an Edwardian gentlemen’s club”—to the voracious exploitation of their every move, which intensified when they discovered Princess Diana’s enormous market value. Drawing on his own experience as an editor, reporter, and confidant of high-placed sources, Irving describes this transformation in sharp detail, homing in on the foibles, rivalries, and loyalties of editors and publishing moguls as well as the royal family’s efforts to block access to information, such as their connections to Nazis and the machinations of their wily uncle Mountbatten. Hewing closely to the narrative presented in the BBC series The Crown, Irving reprises major events, scandals, and family tensions among the Windsors; though he is an entertaining storyteller, he offers no special insight into the character of the “safely conservative and stolid” Elizabeth. A contributor to the BBC documentary Margaret: The Rebel Princess, Irving creates a more animated portrait of the younger sister, whose “rebellious effervescence” he admires. The author does not like the royals much: He deems Philip “a loose cannon” prone to public remarks that reveal “colonial bigotry,” and he calls Mountbatten a “vainglorious self-promoter.” He seems sympathetic to Elizabeth’s plight of having been taught to subjugate personality to duty but concedes that “it was impossible to tell if this was also the private woman—the whole or a part of her.”

Decent modern British history, with cameos by the queen.

Pub Date: Jan. 5, 2021

ISBN: 978-1-64313-614-1

Page Count: 352

Publisher: Pegasus

Review Posted Online: Oct. 2, 2020

Kirkus Reviews Issue: Nov. 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 41


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Awards & Accolades

Likes

  • Readers Vote
  • 41


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 649


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Awards & Accolades

Likes

  • Readers Vote
  • 649


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

Close Quickview