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LADY OF ICE AND FIRE

Alexander stumbles badly in his second outing (God's Adamantine Fate, 1993) with a tepid tale of industrial espionage and international terrorism. Scientist George Jeffers has developed a new enzyme that promises to be the building block for numerous industrial applications, including gene-splitting and possible cancer cures. Now, however, it's disappeared in Europe—along with its courier. Traveling to Boston to provide a CIA operative with background information on the enzyme, Jeffers meets Taylor Redding, an adventurer looking for another challenge. She saves him from an assassination attempt, and the pair decide that they must track down the enzyme themselves. Their search takes them to Switzerland, Germany, the Netherlands, and Iceland, in all of which they leave behind the standard body count as they fend off the many bad guys trying to kill them. Then, with the aid of a German scientist, Jeffers and Redding discover that the enzyme is somehow connected to a fascist political organization in Germany, to the former East German Secret Police, and to a terrorist group (with ties to the KGB) trying to smuggle a load of weapons into Iceland. Naturally, these thugs to a one want the scientist and his protector dead. Jeffers is completely inept throughout, while Redding turns out to be an expert pilot, smuggler, knife fighter, and marksman who also speaks numerous languages and knows the history and politics of every country they visit—all at the ripe old age of 25. Meanwhile, the plot clunks along unmercifully, one improbable scene following another. The wild coincidences and plodding narrative could be efforts to satirize the genre that Ludlum and others have worked so well, except that the novel is far too thin and wan for even traces of irony to run in its veins. Sluggish, bloodless high points—and few of those.

Pub Date: July 15, 1995

ISBN: 1-55611-449-4

Page Count: 352

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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