Inimitably cantankerous Chief Inspector Morse—in his 11th stint—takes over a case that seems utterly straightforward (though it baffled the colleague he relieved): the murder of a retired Oxford historian who found out too much about the drug- related suicide of one of his neighbors in Wolsey College. Clearly, Morse assures stolid Sgt. Lewis, Dr. Felix McClure was stabbed to death by Edward Brooks, the former scout who'd been supplying Matthew Rodway and the rest of the staircase with drugs. But then what's become of Brooks—and how could he have been killed with a knife that was stolen the day after his apparent murder? And which of the three women who had reason to hate him—his abused stepdaughter, Ellie Smith; his long- suffering wife, cleaning lady Brenda Brooks; or Brenda's employer and friend, Julia Stevens—killed him? Instead of the intellectual pyrotechnics of The Way Through the Woods (1993), Dexter offers a painfully focused inquisition on these three remarkable women, showing again through his versatility and concentration why the death of Julian Symons has left him the foremost exponent of the old-fashioned (but new- minted) British detective story. (Author tour)
Pub Date: April 1, 1995
ISBN: 0-517-70067-0
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This tense psychological thriller shows Hoag at the top of her game.
In Hoag’s (Cold, Cold Heart, 2015, etc.) latest, Minneapolis homicide detective Sam Kovac has been separated from his longtime partner, the diminutive yet hard-charging Nikki Liska.
Nikki wanted more time with her teenage sons, so she sought assignment to the department’s new cold case unit, where she's intrigued by the decades-old unsolved murder of Ted Duffy, a sex crimes detective, despite push back from a retired detective close to his family. Sam’s first case without Nikki is the double murder—"raw animal violence"—of Lucien Chamberlain, an Asian studies professor, and his wife, Sondra, who were slashed to death with the professor’s own antique samurai weapons. Chamberlain was an egotistical, misogynistic megalomaniac. Even his adult children hated him. Son Charles is damned by OCD and his father’s unachievable expectations. Daughter Diana is bipolar and hypersexual. Nikki's and Sam’s cases become parallel stories of anger, isolation, ambition, violence, revenge, and perversion. With Duffy’s widow married to his prosperous twin brother and reluctant to cooperate, Nikki has no lead until she discovers Evi, Duffy’s long-ago foster child. Sam has too many suspects, including an ex-con working for a handyman service, Charles and Diana, and professor Ken Sato, Diana’s lover and Lucien’s rival for department chair. Hoag adds depth to the tale with secondary characters like the preening Sato; fragile librarian Jennifer Duffy, broken and isolated by her father’s murder; and the new homicide lieutenant, Joan Mascherino, who's tough-minded and empathetic, with knife-keen intelligence hidden under a prim personality intolerant of swearing. With an ear for sardonic cop dialogue and humor—Sondra Chamberlain regularly ended her day with a "bottle of Chateau Blackout"—Hoag livens up these two already fast-paced, ripped-from-the-headlines mysteries with interesting factoids about such things as the history of female samurai.
This tense psychological thriller shows Hoag at the top of her game.Pub Date: Jan. 12, 2016
ISBN: 978-0-525-95455-2
Page Count: 368
Publisher: Dutton
Review Posted Online: Dec. 6, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Gardner tacks on so many twists that even the most astute reader will be confused, and even the intriguing resolution, when...
A New Hampshire cop tries to piece together a mysterious woman’s life following a car accident and discovers nothing is as it seems.
Gardner (Fear Nothing, 2014, etc.) puts Sgt. Wyatt Foster front and center in this overly complicated thriller, while corporate security expert—and Foster’s new girlfriend—Tessa Leoni, from the 2011 Love You More, plays a distant second fiddle. When Foster is called to a single-car accident on a rural road, it seems like driver Nicole Frank simply drank too much Scotch and drove off the road. But Nicole, who miraculously survives the crash, insists that her daughter, Vero, is still missing. Foster and his team launch a massive search until Nicole’s husband, Thomas, arrives at the hospital and tells the police that there is no child: Nicole suffered a traumatic brain injury (actually several), causing her to conjure an imaginary daughter. As the details of Nicole’s original injury—she suspiciously fell down both her basement and front stairs within the span of a few months—emerge, Foster and the reader become more, rather than less, confused. Nicole’s history unspools in calculated sound bites, with each episode ending in an artificial cliffhanger. According to Nicole—who claims to be “the woman who died twice”—she escaped a horrific childhood in a brothel known as the Dollhouse, a place that’s the nexus of the mystery surrounding Vero, who may or may not be a figment of her addled brain.
Gardner tacks on so many twists that even the most astute reader will be confused, and even the intriguing resolution, when it finally comes, doesn’t answer all the plot’s unnecessary questions.Pub Date: Feb. 3, 2015
ISBN: 978-0-525-95456-9
Page Count: 416
Publisher: Dutton
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
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