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SOUL CATCHER

A Big Bad Wind avenges the murder of Native American shaman Black Wolf by destroying large areas of Seattle: a rousing supernatural thriller by first-novelist Kersey. A mysterious vision about a boy with no ears drives Black Wolf, shaman of the Caribou People in Western Canada, to Seattle, where he is murdered in an alley by street punks. As he dies, Black Wolf calls upon the great spirit in the Wind, the Williwaw, to find the boy with no ears, finish Black Wolf's quest for him, and avenge his death. Soon Seattle and its nearby waters are hit by fantastic squalls and pinpoint tornadoes, while its huge new 98-story office building, now home of Williwaw, starts losing big windows and chunks of concrete onto the streets below. The story turns on Evan Baker, a deaf 12-year-old, who seemingly must either be sacrificed to Williwaw or defeat the Wind by one ruse or another. As it happens, Evan remains more of a heroic victim, while dropout Native American Paul Judge, a lawyer, takes on the Wind and eventually goes into the spirit world to find the Soul Catcher, an ivory rod that might be able to flatten Williwaw. In a series of subplots, Helen Anderson, an elderly widow, offers background information to down-and-out journalist Billy Mossman, who sees in the Williwaw a chance to reinstate his reputation, while Evan's mother, a public relations hack for the grungy mayor who's up for reelection, enlists Paul Judge to help save her son from the black deeds of the Wind. Meanwhile, the more nerve-jangling parts of the novel show a chopper falling from the air, a 747 being trashed, a ferry sinking with hundreds on board. Then Williwaw winds up for its major punches into downtown Seattle. Neatly suspenseful despite a ``thinking'' Wind for villain, with characters who carry just enough flesh for the story as they face one blustery cliffhanger after another.

Pub Date: Nov. 15, 1995

ISBN: 0-312-13606-4

Page Count: 272

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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