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A WOMAN OF STYLE

An intelligently crafted first novel by a British fashion- writer supplies the expected inside look at the inbred world of Italian couture—and some unexpectedly vivid characters and dialogue, especially the gossipy exchanges that provide much of the drama here. After a long setup, the story roars into action when a beautiful, headstrong young Englishwoman with an eye for fashion- -the plucky but virginal 18-year-old Constance—heads for Italy and marries the first man she encounters on her first trip outside England just days after they met. Ludovico is a romantic Italian nobleman who sweeps Constance neatly off her feet, though she regains her balance abruptly after the wedding when she learns that he depends on his mother for the meager allowance he lives on. Partly to support them—but mostly because she loves the work and craves acclaim—Constance devotes herself to establishing an elegant line of clothing. But the more successful her business, alas, the less successful her marriage: The couple's three children are sadly neglected by Constance and her increasingly depressed husband, who finally kills himself. And that's not the worst of it. Before long, the merry widow realizes she barely knows her own kids; her bisexual lover betrays her nightly with a series of young boys; she has only two friends she can trust; and her business alone can't make her happy. Naturally, she soon establishes good relationships with all three kids and finds the perfect mate while keeping the business humming once again, but, still, her travails along the way are entertaining. Like a good cup of cappuccino: frothy, full of energy, and not too sweet.

Pub Date: Oct. 21, 1992

ISBN: 0-517-58885-4

Page Count: 416

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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