Good stories from writers both popular and unknown, guaranteed to fill you with wanderlust.
Dozens of writers with something more to say to a person they never knew.
As Leslie Jamison points out in the foreword, "we spend so much of our lives in the company of people we'll never know….How rarely we admit the strange, unannounced ways they lodge inside of us." Jamison was one of the first contributors to a column called "Letter to a Stranger," edited by Kinder for the online magazine she co-founded, Off Assignment. In this anthology, she collects the “most extraordinary” submissions. Many are quite brief, and none are very long, and the thematic sections allow them to bounce off each other in interesting ways. The first section, "Symmetry," includes both Lia Purpura and Michelle Tea reflecting on young strangers they felt a kinship with, one on a plane, the other in a tattoo parlor. In the “Chemistry” section, we read about various sorts of attractions that never came to fruition. Howard Axelrod: "I was twelve; this was nearly thirty years ago, I've never written about you, never spoken about you, not in the weeks afterward to the boys in my cabin, not in the years afterward.” Readers will eagerly await the confidence Axelrod shares next. "Gratitude" includes characters ranging from the disappearing superhero doctor who saved Aria Beth Sloss' baby to "the Drunk Mr. Flunchy," a man "lanky as a Giacometti and more shabby than chic," whose gift to Gregory Pardlo was a physical threat. While many of the essays have an ephemeral quality, some will stick with even the most jaded of reader—e.g., Sophie Haigney's apology to the survivor of a horrible crime whom she tormented with questions in her role as "the media." Other contributors include Pico Iyer, Maggie Shipstead, Elizabeth Kolberg, Jacquelyn Mitchard, and Lucas Mann, with letters originating from all seven continents.
Good stories from writers both popular and unknown, guaranteed to fill you with wanderlust.Pub Date: March 22, 2022
ISBN: 978-1-64375-124-5
Page Count: 336
Publisher: Algonquin
Review Posted Online: July 21, 2021
Kirkus Reviews Issue: Aug. 15, 2021
A unique, inspiring story by a member of the Greatest Generation.
A firsthand account of how the Navajo language was used to help defeat the Japanese in World War II.
At the age of 17, Nez (an English name assigned to him in kindergarten) volunteered for the Marines just months after the bombing of Pearl Harbor. Growing up in a traditional Navajo community, he became fluent in English, his second language, in government-run boarding schools. The author writes that he wanted to serve his country and explore “the possibilities and opportunities offered out there in the larger world.” Because he was bilingual, he was one of the original 29 “code talkers” selected to develop a secret, unbreakable code based on the Navajo language, which was to be used for battlefield military communications on the Pacific front. Because the Navajo language is tonal and unwritten, it is extremely difficult for a non-native speaker to learn. The code created an alphabet based on English words such as ant for “A,” which were then translated into its Navajo equivalent. On the battlefield, Navajo code talkers would use voice transmissions over the radio, spoken in Navajo to convey secret information. Nez writes movingly about the hard-fought battles waged by the Marines to recapture Guadalcanal, Iwo Jima and others, in which he and his fellow code talkers played a crucial role. He situates his wartime experiences in the context of his life before the war, growing up on a sheep farm, and after when he worked for the VA and raised a family in New Mexico. Although he had hoped to make his family proud of his wartime role, until 1968 the code was classified and he was sworn to silence. He sums up his life “as better than he could ever have expected,” and looks back with pride on the part he played in “a new, triumphant oral and written [Navajo] tradition,” his culture's contribution to victory.
A unique, inspiring story by a member of the Greatest Generation.Pub Date: Sept. 6, 2011
ISBN: 978-0-425-24423-4
Page Count: 320
Publisher: Dutton Caliber
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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