by Conn Iggulden ‧ RELEASE DATE: Dec. 31, 2002
An absorbing portrait of ancient Roman life and history, well written and full of suspense—even for those who know the...
A debut by a British schoolteacher depicts the childhood and early career of Julius Caesar.
In case you’ve forgotten your Suetonius, the later days of the Roman Republic were a rough time for the well connected. The fledging empire had established colonies farther and farther afield, colonies that reaped fortunes but required standing armies. The generals of these armies (who paid for the upkeep of their men out of their own pockets) all became laws unto themselves after a while; the Senate was the ultimate authority, but it was unwieldy, and rife with corruption and factions. When young Gaius, the son of a senator, was growing up, everyone expected that the Senate would soon have to appoint a Dictator—a Caesar—to reestablish order. But who? After his father is killed in a slave uprising, Gaius lives with his uncle, Marius the Consul, one of the leading contenders. Marius has just come back with his Legion from a successful campaign in Africa, but his rival Sulla has balked at allowing Marius and his troops to enter the city, lest the troops establish Marius as the Caesar. Sulla has been making a name for himself as a general and would naturally prefer that the Senate choose him. How does it end? With a civil war, naturally, in which Sulla’s forces drive Marius and his army back to North Africa, then invade Greece to put down a rebellion led by Mithridates. While Sulla is away, however, Marius, having prevailed upon the Senate to declare Sulla a traitor, reenters the city in triumph. Young Gaius—now named “Julius” after his dead father—observes all the maneuverings and learns the most important lesson a Roman statesman can master: Trust no one. It becomes his motto once he is named the Caesar himself, but he makes one exception—for a childhood friend and blood-brother named Marcus Brutus.
An absorbing portrait of ancient Roman life and history, well written and full of suspense—even for those who know the ending.Pub Date: Dec. 31, 2002
ISBN: 0-385-33660-8
Page Count: 368
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2002
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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