O'Brien (Pro-Chancellor/Univ. of Dublin; Cunning and Passion, 1988, etc.) argues here that Edmund Burke (1729-97), widely considered the ``father of modern conservatism,'' was really a ``liberal pluralist.'' Neither biography (not even an ``unconventional'' one, as O'Brien claims) nor anthology (too little Burke, too much O'Brien), this is an extended political essay focusing on four arenas of 18th-century political life—Ireland, America, India, and France- -preceded by an attack on the dominant school of Burke scholarship, which, in assessing Burke as a conservative, consigned him, O'Brien says, to ``the ash-bin of history.'' O'Brien believes that he can provide the ``basis and essentials for a Burke revival'' by proving that Burke was, in fact, a prophet of revolution. The ``great melody,'' a phrase derived from Yeats, describes Burke's legendary eloquence but also his primary theme—defending individual liberties against political tyranny wherever it appears—a theme that was, O'Brien claims, the source of those inconsistencies for which Burke is often criticized, such as his support of the American Revolution and his opposition to the French. According to O'Brien, ``fantasia,'' a word derived through Isaiah Berlin (with whom O'Brien has a long exchange in the epilogue) from Vico—a phrase meaning ``historical imagination''—was Burke's distinguishing gift. Though strong on political narrative, O'Brien dismisses as irrelevant Burke's literary journalism, including his essay ``On the Sublime and the Beautiful,'' which elaborated an aesthetic that informed Burke's entire life. The author also dismisses the importance to Burke's thought of his large, raucous, and disorderly family, to whom he was devoted and among whom his grand, elitist, and orderly political ideals evolved. Strong on O'Brien but weak on Burke—and most readers will have to resort to a handbook on the religious and political controversies of the 18th century, as well to as a conventional Burke biography, to make sense of it all. (Illustrations—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-226-61650-9
Page Count: 640
Publisher: Univ. of Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1992
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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