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BLIND WALLS

A retelling of a well-known mystery that offers a few twists on the original.

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A tour guide on the verge of retirement undergoes a haunting experience in this ghostly novel.

Raymond Smollet is giving his last tour of the Weatherlee Ghost House. He’s spent 30 years guiding visitors through the rambling home. Despite having lost his vision, he can still navigate the winding hallways and recite the rote stories. Smollet’s life is small and depressed; he lives alone with his cat and anticipates drinking himself to death after retirement. But his last tour of the Ghost House is an unexpected experience, as the blind man suddenly sees spirits everywhere. Sophia Weatherlee, the unbalanced heiress who insists on endless construction in the sprawling labyrinth of her home, appears in ballrooms and bedrooms. Her foreman, Chuck Ratowitz, struggles to respond to her unpredictable and constant demands while his personal life is falling apart. Smollet sees the house grow, witnesses a family dissolve, observes building disasters, and watches various servants and workers pass in and out of Sophia’s realm. It’s a horror story and a tragedy, with elements of romance and fantasy mixed in. This novel by Bishop and Fuller (co-authors: Galahad’s Fool, 2018, etc.) draws heavily from the chronicles of the Winchester Mystery House in San Jose, California, but employs different names and adds some backstory. Many of the details about the mansion, like removable floor panels, and the family, such as the death of Sophia’s daughter from marasmus, are pulled directly from the Winchester story. Smollet is whiny and condescending, an unlikable man who tends to expostulate too long on his sorry existence. His part of the tale feels unnecessary, as it’s the house, with its ghostly inhabitants, that is the true focus. The narrative surrounding Chuck and his wife and the subsequent unraveling of their lives is well written and engaging. Though the Winchester House did have a foreman who worked on the construction for 38 years, Chuck’s personal life and backstory are pleasant and unique contributions by the authors.  

A retelling of a well-known mystery that offers a few twists on the original.

Pub Date: June 1, 2019

ISBN: 978-0-9997287-2-7

Page Count: 226

Publisher: WordWorkers Press

Review Posted Online: May 10, 2019

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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