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THE LIGHT FROM A THOUSAND WOUNDS

A MOTHER’S MEMOIR OF FINDING BEAUTY IN LIFE’S DARKEST MOMENTS

An earnest, sorrowful, and relatable remembrance.

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Hatfield presents a memoir that recounts her college years, her marriage, and her parenting of five children while enduring numerous challenges.

In the late 1990s at California Baptist University, the author writes, she met Arin Hatfield, with whom she felt an immediate connection. They wed in 1999, and Arin’s career as a Christian pastor and their new family’s money troubles led them to live in several different states and take various jobs until, with five children, they came back to Colorado to be near her extended family. Once there, the two faced season after season of trials and hardships that tested the strength of their relationship. Hatfield offers memories of how her husband’s jobs become all-consuming, and of her own solo parenting; this included caring for a child with autism, which she says she frequently found to be overwhelming: “Despite God’s allegedly inerrant wisdom, He had plainly made a mistake. He had chosen the wrong woman to be Grayson’s mother.” She presents affecting stories of teetering on the edge of burnout, and provides a revealing picture of mothering and marriage. She portrays her family members as loving one another fiercely, but she acknowledges that their relationships also went through times of severe strain; the couple’s oldest child struggled with addiction, and another child suffered from the effects of a severe brain injury, sustained during a car accident. The text is mostly the author’s recollections sprinkled with rare moments of remembered conversation. However, its easygoing pace will easily capture the reader’s attention. The book goes into particular detail regarding the author’s desperate attempts to mother a child who had injuring behaviors and trouble regulating their emotions; she also discusses how she dealt with a school that refused to adapt their materials to accommodate the needs of her son. Overall, Hatfield’s vulnerability will make her text relatable to many parents, as when she tells of how she harshly criticized her own parenting skills. The work uncovers unspoken and universal feelings of parents who strive to do the best they can for their children.

An earnest, sorrowful, and relatable remembrance.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Feb. 6, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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