by Corey Mesler Joseph Bathanti ‧ RELEASE DATE: Oct. 31, 2019
This harrowing tale of a husband and father-to-be surrounded by violence remains both gloomy and enthralling.
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A novel focuses on a North Carolina prison guard and his increasingly bleak life inside and outside penitentiary walls.
Calvin Gaddy works at Coventry Prison, just like his now-retired father, Mac. As Cal’s wife, Rachel, is pregnant with their first child, he plans to take the sergeant’s exam to boost his income. But Rachel is worried that Cal’s regular pot smoking will lead to trouble if he gets a drug test at Coventry. Still, he’s quietly coping with working at the prison, where some guards, like Mac of yesteryear, are violent with inmates. Jesse Thrake, one officer, is certain that prisoner and alleged witch doctor Tarl “Pitch” Benefit has been “witching” him. Sure enough, Thrake falls ill with vomiting and much worse until the day he inexplicably vanishes. Cal subsequently believes Pitch is cursing him as well, which only intensifies his perpetual concern over his pregnant wife. At the same time, complications at home and work exacerbate Cal’s quandary. The prison captain, for one, is having an affair with his secretary, which ultimately prompts a confrontation between the couple and one of their spouses. Meanwhile, Cal thinks his father is going crazy, as Mac, among other things, is seeing convicts’ faces in the dirt. Cal struggles to balance his life with Rachel and his punishing job. But he may not be prepared once tragedy at Coventry strikes, a tragedy that requires either the cool detachment of a prison guard or the compassion of a family man. Bathanti’s (Brothers Like These, 2017, etc.) grim tale is steeped in religious allegory. Though this facet is sometimes too superficial, it often precipitates indelible imagery. For example, Cal’s dead mother, Elizabeth, was a churchgoer—unlike his prison-guard father. At one point, Cal envisions sitting with his mom after Sunday worship while on a table between them is Elizabeth’s Bible and Mac’s pistol. Similarly, the story aptly examines the fine line separating guards from inmates, as the former sometimes display brutality against men whose crimes are all but forgotten. Cal is incessantly conflicted between his roles as prison guard and devoted husband. Accordingly, parallelisms ensue: As Rachel carries new life, an imminent execution at Coventry assures another will end, and the story even equates an infant’s birth with a jailbreak. But in addition to the hard-hitting drama, the tale has shades of a thriller, dropping in a few surprises, such as more than one shocking death. There are moments of surrealism, too, particularly regarding Pitch and what he may or may not be capable of. Cal has a few unsettling dreams, but the narrative perspective from Pitch, while riveting, is relatively ambiguous. This plot thread results in a denouement that’s likewise open to interpretation. Bathanti recounts his story in a lyrical but appropriately somber prose: “Dead inmates…had been weighted, in the chain-gang days, with granite and dumped in the sump where their bones still ranged like white brittle fish waiting for time to turn them back into free men.”
This harrowing tale of a husband and father-to-be surrounded by violence remains both gloomy and enthralling.Pub Date: Oct. 31, 2019
ISBN: 978-1-60489-222-2
Page Count: 261
Publisher: Livingston Press
Review Posted Online: Nov. 1, 2019
Kirkus Reviews Issue: Jan. 1, 2020
Review Program: Kirkus Indie
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BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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