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THE BLACK HARVEST

A NOVEL OF THE AMERICAN CIVIL WAR

A remarkable tale of war and its ghastly ramifications.

A young Southerner watches his father die at the hands of Union soldiers and vengefully enters the Civil War in this historical drama.

As the story opens, Missourian Zechariah Ashby Marchbank feels “conflicted about everything: the war, slaves, Jehovah, and what part I was to play in it all.” Then the Civil War shows up at his door in the form of a gang of Union fighters known as Jayhawks, who hang his dadright in front of him. As a result, Ashby soon decides to join a band of guerilla fighters—nominally, he does so to defend Missouri against Union soldiers, but primarily he joins the group as an exercise in revenge.Debut author Dean captures Ashby’s thirst for violence in powerful prose that’s typical of this often sharp-edged work: “I’d never felt so bloodthirsty as when I thought about [Jayhawks leader] Jennison and how I wanted to kill him. I’d already killed him a thousand times in my dreams in as many creative ways.” Under the command of the brutal Col.William Clarke Quantrill, Ashby and his cohorts, which include future notorious outlaws Frank and Jesse James, ride through Missouri and Kansas in search of Union men. However, as they do so, Ashby fears for his own life—not only because of the recklessness of the crew that he’s joined, but also because of their horrific savagery, which is sometimes directed toward members of their own ranks. In a framing device, Ashby relates his story to John N. Edwards, an ambitious “son-of-a-bitch journalist,” as the protagonist puts it, who’s looking to rewrite history and help himself professionally.

Over the course of this book, Dean deftly limns a picture of the war in which Confederate and Union partisans commit unspeakable atrocities, driven by a lust for destruction. Once Ashby is pulled into the war, he finds it nearly impossible to withdraw from it—but it’s a combination of necessity and venomous anger that keeps him in, not an attachment to a particular ideology or principle. However, Ashby does note that while the infamous Quantrill and his men would be “mostly reviled and nearly forgotten by history,” Union Gen. William Tecumseh Sherman, who committed similarly rapacious acts, would be hailed as “a great man, a heroic figure, who had only done what needed to be done to avoid more bloodshed.” Ashby is a complex protagonist—for all his wounded anger, he seems incapable of fully surrendering to it, too self-aware of the damage that his losses have imposed on his soul as he feels his reserves of empathy fully deplete. Dean’s writing also offers a striking brew of poetry and punch, combining unflinching realism with delicately woven imagery. Although the portrayal of the war is as historically rigorous as it is dramatically affecting, the real core of the novel is Ashby’s inner conflict as he tries to salvage some vestige of his humanity during this “time of violence.”

A remarkable tale of war and its ghastly ramifications.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Livingston Press

Review Posted Online: June 8, 2021

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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