A grand puzzle, and grandly written at that, about shattered psyches and illicit dreams.
A companion to McCarthy’s The Passenger that both supplements and subverts it.
Alice Western—now known as Alicia, her birth certificate changed via her brother’s counterfeiter pal, John Sheddan—is a brilliant mathematician, at work on a doctorate even as a teenager. Her mind has melted, though. In this series of dialogues with a psychiatrist, she reveals herself to be thoroughly self-aware: “Mental illness is an illness. What else to call it? But it’s an illness associated with an organ that might as well belong to Martians for all our understanding of it.” Still, the seemingly very real friend she calls the Thalidomide Kid turns out to be one of many hallucinations that show up to keep Alicia company—an interesting turn, since it seems the Kid also visited her brother, Bobby, in the predecessor novel. Is Bobby’s life also a hallucination, a dream? Perhaps, for Alicia suggests that Bobby may still be lying in a coma following an auto-racing accident in Italy. For Alicia, just 20 years old, mathematics is both a defense and a curse, something she’s given up—not easily, for, as she tells Dr. Cohen, “I think maybe it’s harder to lose just one thing than to lose everything.” One thing that does seem to be uncomfortably real is her incestuous relationship with Bobby, which she reveals to Dr. Cohen in small, enigmatic bits seeded with defiant assertions that her conscience is untroubled: “I knew that I would love him forever. In spite of the laws of Heaven.” Some of her defenses melt a little toward the end, when, having revealed some of the cracks in her psyche, she asks Dr. Cohen to hold her hand—because, McCarthy writes in a characteristically gnomic phrase, “that’s what people do when they’re waiting for the end of something.”
A grand puzzle, and grandly written at that, about shattered psyches and illicit dreams.Pub Date: Dec. 6, 2022
ISBN: 978-0-307-26900-3
Page Count: 208
Publisher: Knopf
Review Posted Online: Aug. 1, 2022
Kirkus Reviews Issue: Aug. 15, 2022
PERSPECTIVES
SEEN & HEARD
IN THE NEWS
For devoted Hannah fans in search of a good cry.
The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.
“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.
For devoted Hannah fans in search of a good cry.Pub Date: Feb. 9, 2021
ISBN: 978-1-2501-7860-2
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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