Next book

BETWEEN THE BRIDGE AND THE RIVER

Profane on its surface, ethical at its core and always fun, this debut marks the arrival of an important comic talent.

Ferguson (host of CBS’s The Late Late Show) takes us on a wild ride in his scintillating debut, a combination caper/morality tale with the barbed comic energy of a Carl Hiaasen novel.

We begin in the author’s native Scotland. Fraser and George are teenaged buddies, fishing in a canal, when George saves Fraser from the local bully. Fast-forward some 20 years. George is a criminal-defense lawyer with a wife (unloved) and a daughter (adored); he has just been diagnosed with terminal lung cancer. Without telling his family, he splits for London, contemplating suicide. Fraser, more of a reprobate, is a cynical evangelist on Scottish television who cannot keep his hands off the ladies. A sex scandal ends his gig at the same time he’s invited to a convention of Christian broadcasters in the States. The invitation comes from Ferguson’s two other leads, Leon and Saul, offspring of the same mother but different fathers (Sinatra and Peter Lawford, respectively). The well-hung Leon has his father’s great voice; fat, physically repellent Saul has the brains, recognizing Leon as his meal ticket. After escaping the orphanage, they wind up in backwoods Florida, adopted by snake-handling Pentecostalists. Ferguson deftly juggles his three storylines. George, postponing suicide, travels to Paris and falls in love with gorgeous Claudette, the ultimate femme fatale (her six Great Loves have all died); she will help him find his “inner Frenchman.” The hard-drinking, whoring Fraser will be mugged in Miami and have a near-death experience. Leon and Saul will make a bundle in Hollywood (Ferguson looks balefully at its shark-infested waters) before scoring big on the religious circuit. There will be happy endings for everybody except the hateful, manipulative Saul.

Profane on its surface, ethical at its core and always fun, this debut marks the arrival of an important comic talent.

Pub Date: April 10, 2006

ISBN: 0-8118-5375-6

Page Count: 336

Publisher: Chronicle Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2006

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview