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BETWEEN THE BRIDGE AND THE RIVER

Profane on its surface, ethical at its core and always fun, this debut marks the arrival of an important comic talent.

Ferguson (host of CBS’s The Late Late Show) takes us on a wild ride in his scintillating debut, a combination caper/morality tale with the barbed comic energy of a Carl Hiaasen novel.

We begin in the author’s native Scotland. Fraser and George are teenaged buddies, fishing in a canal, when George saves Fraser from the local bully. Fast-forward some 20 years. George is a criminal-defense lawyer with a wife (unloved) and a daughter (adored); he has just been diagnosed with terminal lung cancer. Without telling his family, he splits for London, contemplating suicide. Fraser, more of a reprobate, is a cynical evangelist on Scottish television who cannot keep his hands off the ladies. A sex scandal ends his gig at the same time he’s invited to a convention of Christian broadcasters in the States. The invitation comes from Ferguson’s two other leads, Leon and Saul, offspring of the same mother but different fathers (Sinatra and Peter Lawford, respectively). The well-hung Leon has his father’s great voice; fat, physically repellent Saul has the brains, recognizing Leon as his meal ticket. After escaping the orphanage, they wind up in backwoods Florida, adopted by snake-handling Pentecostalists. Ferguson deftly juggles his three storylines. George, postponing suicide, travels to Paris and falls in love with gorgeous Claudette, the ultimate femme fatale (her six Great Loves have all died); she will help him find his “inner Frenchman.” The hard-drinking, whoring Fraser will be mugged in Miami and have a near-death experience. Leon and Saul will make a bundle in Hollywood (Ferguson looks balefully at its shark-infested waters) before scoring big on the religious circuit. There will be happy endings for everybody except the hateful, manipulative Saul.

Profane on its surface, ethical at its core and always fun, this debut marks the arrival of an important comic talent.

Pub Date: April 10, 2006

ISBN: 0-8118-5375-6

Page Count: 336

Publisher: Chronicle Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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