Harris (When Falcons Fall, 2016, etc.) is as determined as her lead couple to explore London’s underbelly. Hold onto your...

WHERE THE DEAD LIE

In Regency England, a viscount pursues the sadistic killer of London’s most vulnerable denizens.

Sebastian St. Cyr, Viscount Devlin, and his former comrade in arms, surgeon Paul Gibson, have seen more than their share of violent death in wartime. But neither one can look calmly at the body of Benji Thatcher, a street urchin who was cut, whipped, raped repeatedly, and strangled. The death of one more homeless pickpocket is unlikely to cause a stir among most of fashionable London, but Gibson and Sebastian specialize in solving crimes that others can’t or won’t. Sebastian’s wife, Hero, is a social reformer who’s writing a series of articles about the poor of London, and while she interviews some of the street children who knew Benji, Sebastian uses the testimony of an old soldier who saw and interrupted someone digging Benji’s grave as a starting point for finding out what happened not just to Benji, but to a number of other homeless children who’ve disappeared. The owner of a secondhand store helps direct Sebastian to a brothel catering to clients who like their prostitutes young, and contraband copies of a book by the Marquis de Sade bring Sebastian closer to identifying the person responsible for the pitiful collections of children’s bones buried near the shallow grave meant for Benji. Unfortunately, Sebastian’s suspects—an actor, a French count, a dissolute marquis’ heir about to marry into Sebastian’s family, and an even more highly connected person who’s also a relative of Hero—all have alibis. But Sebastian’s power-hungry father-in-law presents the biggest obstacle to his sleuthing in a tale that, despite top boots and tall hats, velvet spencers and gowns à la grecque, and even a cat named Mr. Darcy, is a far cry from the world of Jane Austen.

Harris (When Falcons Fall, 2016, etc.) is as determined as her lead couple to explore London’s underbelly. Hold onto your carriage strap: the tangle of familial, criminal, and political conflict makes for bleak reading.

Pub Date: April 4, 2017

ISBN: 978-0-451-47119-2

Page Count: 352

Publisher: Berkley

Review Posted Online: Feb. 4, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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