Fun to flip through; engrossing to read.
Part memoir, part cultural history, part treasure trove of drawings and photographs, many previously unpublished—and all thoroughly delightful as a celebration of the golden age of newspaper comics.
Murphy (God's Jury: The Inquisition and the Making of the Modern World, 2012, etc.) has distinguished himself as a journalist through his work at Vanity Fair and the Atlantic, but here he is very much his father’s son—and collaborator. John Cullen Murphy drew the once-popular “Big Ben Bolt” strip and later took over the “Prince Valiant” strip, with his son helping on storylines for some three decades. Beyond that, the author “grew up in an unusual environment—not only as the child of a cartoonist and illustrator, but connected to a network of families where everyone’s father was a cartoonist or illustrator.” He estimates the group comprised more than 100 cartoonists, neighbors, and an extended social circle, all living near each other in Connecticut. Amid the suburban boom to which the artists contributed after returning from World War II—an experience that served as a common denominator and spawned “Beetle Bailey,” “G.I. Joe,” and more—Connecticut was the one state in that region that not only provided close access to the New York publishing world, but had no income tax. In the era before computers, artists working on tight deadlines relied on registered mail when they could and hopped aboard trains when the mail was too slow. Generally working in isolation, they “loved the camaraderie of the cartooning tribe, everyone slightly off register and anxious for company.” There are stories of Murphy’s father serving as the all-American-boy model for Norman Rockwell (who proved an inspiration and a patron), of the creators of “Superman,” “Nancy,” “Family Circus,” and so many others, and of a feud with Al Capp, which resulted in a rival being dismissed by their guild’s “hastily formed ethics committee” for “conduct unbecoming a cartoonist.” The book is also an elegy for the era before comics went online or morphed into graphic novels, when a popular strip seemed to capture the entire nation’s eyeballs.
Fun to flip through; engrossing to read.Pub Date: Nov. 21, 2017
ISBN: 978-0-374-29855-5
Page Count: 272
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 11, 2017
Kirkus Reviews Issue: Oct. 1, 2017
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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