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AMERICAN WIFE

Name: AMERICAN WIFE
Author: Curtis Sittenfeld
ISBN: 978-1-4000-6475-5

by Curtis Sittenfeld ‧ RELEASE DATE: Sept. 2, 2008

This fictional first lady is a wimp and her husband a lightweight. So what’s new?

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An elementary-school librarian marries the least promising son of an old-moneyed, intensely competitive Republican family and sticks by him as he rises from hard-drinking fool to unpopular U.S. President in this roman à clef from Sittenfeld (The Man of My Dreams, 2006, etc.).

In the involving, richly imagined first section of the book, set in Wisconsin rather than Texas, narrator Alice spends a charmed middle-class girlhood with loving parents and a devoted grandmother, an iconoclast who introduces Alice to the joys of literature, among other things. Then, as a teen, virginal Alice runs a stop sign, hits another car and causes the death of the very boy she was on her way to meet at a party. In confused grief she sleeps with his older brother and has an abortion. There is a lot of melodrama, but Sittenfeld’s understated style works well to bring home Alice’s loss of innocence. Unfortunately, once Charlie Blackwell comes on the scene to tie Alice awkwardly to semi-accurate facts, the story becomes a plodding, predictable series of close encounters with the factual history of a family Americans already know well: Charlie’s white-haired, overbearing mother and genuinely decent dad; Charlie’s devotion to baseball and his stint as the owner of a baseball team; Charlie’s hard drinking; Charlie’s Christian conversion after Alice threatens to leave him; Charlie’s limited mental faculties but soaring ambition; Charlie’s Machiavellian handler who steers his political fortunes. Once Charlie rises to President and wages a war she questions, Alice faces a new (presumably fictional) crisis of conscience. While deciding whether to meet the protesting father of a dead soldier, Alice muses unconvincingly on the insularity of fame, the role of the media and her own responsibility for her husband’s failed policies. What draws bookish Democrat Alice to Charlie—and what keeps her his barely questioning helpmate—is how cute he is, despite those squinty eyes, along with his dependence and adoration.

This fictional first lady is a wimp and her husband a lightweight. So what’s new?

Pub Date: Sept. 2, 2008

ISBN: 978-1-4000-6475-5

Page Count: 568

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

Categories:

GENERAL FICTION

- BOOK REVIEW
SHOW DON'T TELL
by Curtis Sittenfeld

- BOOK REVIEW
ROMANTIC COMEDY
by Curtis Sittenfeld

- BOOK REVIEW
RODHAM
by Curtis Sittenfeld

- SEEN & HEARD
Sittenfeld to Explore Hillary Clinton in New Novel

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.