When her birthday present is a vacuum cleaner rather than a guitar, Garnet Hubbard’s mother loses control. As her father returns to his job, drilling oil in the Gulf of Mexico, her mother uproots Garnet (13) and her older sister, Opal, from their Texas community, unloads them with their Aunt Julia in Willow Flats, Okla. and sets off to make it big in Nashville. It’s the early 1960s and although Garnet lives in a house with no phone, car or television, she is aware of the changes happening in society. The teen reacts with the help of her bohemian art teacher, possibly a Communist, who introduces her students to such Mexican muralists as David Siqueiros and Diego Rivera. Her Aunt Julia, her aunts’ spirited friends and Opal help Garnet move from anger and sadness to acceptance of an imperfect mother and the nature of dreams and family. Tugging at the heart with painful truths and a girl who finds both sorrow and wonderment in them, this is Love’s best yet. (author’s note) (Fiction. 11-14)
Pub Date: July 1, 2006
ISBN: 0-689-85638-5
Page Count: 304
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
From England’s Children’s Laureate, a searing WWI-era tale of a close extended family repeatedly struck by adversity and injustice. On vigil in the trenches, 17-year-old Thomas Peaceful looks back at a childhood marked by guilt over his father’s death, anger at the shabby treatment his strong-minded mother receives from the local squire and others—and deep devotion to her, to his brain-damaged brother Big Joe, and especially to his other older brother Charlie, whom he has followed into the army by lying about his age. Weaving telling incidents together, Morpurgo surrounds the Peacefuls with mean-spirited people at home, and devastating wartime experiences on the front, ultimately setting readers up for a final travesty following Charlie’s refusal of an order to abandon his badly wounded brother. Themes and small-town class issues here may find some resonance on this side of the pond, but the particular cultural and historical context will distance the story from American readers—particularly as the pace is deliberate, and the author’s hints about where it’s all heading are too rare and subtle to create much suspense. (Fiction. 11-13, adult)
Pub Date: Oct. 1, 2004
ISBN: 0-439-63648-5
Page Count: 208
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
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