Not a strong stand-alone novel, but compelling enough to keep the series’ readers hooked.
In this second sci-fi novel in a series, a time machine accident puts a man in a precarious future, where he struggles to find his place.
After arriving in a strange new world with nothing but a towel, Diego Nadales barely survives a fall from a treetop, where his time-travel capsule delivered him. He was supposed to be sent back in time from 2025 to 2005, on a mission critical to the Earth’s survival. But instead, he arrived in an alternate version of Earth in 2048, near Kirk Biodome in Colorado. Amazingly, Diego can survive the “Outside” without a protective suit, despite the fact that the Doomsday Virus nearly destroyed all mammalian life years ago. Survivors shelter in domes designed by David Kirk, whom Diego remembers as Dave Kirkland, his fiancee Isabel “Iz” Sanborn’s manipulative ex-husband. As Diego heals from his broken bones, he mourns Iz and his wasted effort to save his world, but he forges new friendships. Slowly, Diego becomes close to his doctor, Lani Kai, who’s scarred physically and emotionally. He also finds new purpose by exploring how his immunity to the virus can aid the community—and he gets new hope when a mysterious note advises him that Isabel is alive, back in his home universe. A trip to a biodome on Chesapeake Bay may provide answers, but then things go horribly wrong. Orton (The Last Star & Other Stories, 2017, etc.) does a good job of providing exposition and backstory to link this outing with the first installment, Crossing In Time, and it will be pleasing for readers to finally learn Diego’s fate. The romance between Diego and Lani is much less compelling, though—largely because the author presents Lani’s issues so melodramatically. Luckily, Orton handles the science and worldbuilding well, and her characterization of other players is more successful. Lani’s daughter Shannon—a brilliant, curious teenager with a genius for tinkering and somewhat naïve enthusiasm—nicely illustrates how the younger generation grows up in biodomes. The book introduces new mysteries and ends on a cliffhanger, which will whet readers’ appetites for the next installment.
Not a strong stand-alone novel, but compelling enough to keep the series’ readers hooked.Pub Date: July 1, 2016
ISBN: 978-1-941368-10-7
Page Count: 202
Publisher: Rocky Mountain Books
Review Posted Online: Jan. 24, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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