An often engaging thriller that transcends its standard post-apocalyptic setup.

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FIRST ACTIVATION

A POST APOCALYPTIC THRILLER

In this debut sci-fi thriller, two English brothers encounter a desolate New York City littered with corpses and teeming with crazed killers.

Manchester, England, natives Harry and Jack cut their New York sightseeing plans short when their plane lands in the apparently abandoned John F. Kennedy International Airport. The brothers, along with fellow passenger Bernie and his wife, Linda, volunteer to check the terminal, where they discover multiple corpses. Soon, a group of seemingly demented people tries to kill them. Several of the attackers—the brothers simply call them “killers”—appear to have turned against one another  before the plane’s arrival. Soon the brothers and their allies are on the hunt for more survivors and for information about a possible global catastrophe. The Wearmouths’ vision of an apocalyptic New York is, at least initially, standard fare: large, deserted areas; piles of dead bodies; and main characters with no clue about what’s happening. However, the authors’ ingenuity soon separates their story from the rest of the pack, as it features enemies who aren’t as easy to spot as infected zombies—which makes it impossible for the heroes to trust even an elderly woman. The killers also have the intriguing ability to manipulate potential victims into traps. As the story progresses, the brothers meet other survivors, such as Lea—who, in a clever use of modern communication, initially communicates with Jack via Twitter—and they also lose some companions. The story eventually hits a relative standstill, however, once the group holes up in the city. Readers learn little about the characters or their situations; instead, the heroes simply fight more killers, until they finally opt for a more isolated shelter. The book’s final act delivers the goods, however, explaining the reasons for the killers’ bizarre behavior and why the airplane’s passengers and crew were unaffected. Harry and Jack’s nationality gives the book a distinctive British flair—they often call people “mates,” for example—but it sometimes bleeds too much into the rest of the narrative, as when American characters refer to a cell phone as a “mobile.” The coda provides a fitting denouement, and leaves the ending open to readers’ interpretations.

An often engaging thriller that transcends its standard post-apocalyptic setup.

Pub Date: Aug. 15, 2013

ISBN: 978-1491296523

Page Count: 266

Publisher: CreateSpace

Review Posted Online: Sept. 27, 2013

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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