Tense pages hard-focused on aerial hardware as Brown pumps it up for fans—who know what they’re getting.
Old Dog Brown brings back his favorite technothriller heroes for what will likely be their 15th consecutive assault on the bestseller list, despite ever more unwieldy plots, laboriously detailed fantastic weapons, and bombastic action sequences.
Forcibly retired US Air Force General Patrick McLanahan (Wings of Fire, 2002, etc.) and his unsanctioned Night Stalker special ops corps of freelance commandos (who work outside the government) have saved the world several times over from total destruction and always win the biggest stakes on the table. What is an Air Battle Force? Well, former child prodigy aeronautical and space engineer Jon Masters has devised the Vampire bomber, which carries StealthHawk Unmanned Combat Air Vehicles within it. McLanahan leads the 1st Vampire Squadron, and StealthHawks are the leading edge of the force he and Wing Commander Rebecca Furness use to launch a counterattack against Afghan Captain Wakil Mohammad Zarazi’s Taliban troops, who capture a UN Afghan Relief and Rehabilitation unit in Northern Afghanistan. Air Battle Force is the future of air warfare and in part consists of robot warplanes launched from the Vampire bomber. Flying a B-1 over air space congruent to Afghanistan, Iran, Pakistan, and Turkmenistan, McLanahan loses a robot plane and goes searching for it through various hostile radars and air defense systems while running almost on empty. As it happens, the Turkmenistan oil fields have become the prime target of Taliban and Al-Qaeda forces no longer safe in Afghanistan. The novel bomber makes a pancake landing, skipping off the ocean onto a beach. The technoclimax comes with the Vampire in a dogfight while attacking an airbase in the Russian Federation.
Tense pages hard-focused on aerial hardware as Brown pumps it up for fans—who know what they’re getting.Pub Date: May 13, 2003
ISBN: 0-06-009409-5
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
Sometimes funny, sometimes silly, sometimes quite sad—i.e., an accurate portrait of life in one's 50s.
The further adventures of Candace and her man-eating friends.
Bushnell (Killing Monica, 2015, etc.) has been mining the vein of gold she hit with Sex and the City (1996) in both adult and YA novels. The current volume, billed as fiction but calling its heroine Candace rather than Carrie, is a collection of commentaries and recounted hijinks (and lojinks) close in spirit to the original. The author tries Tinder on assignment for a magazine, explores "cubbing" (dating men in their 20s who prefer older women), investigates the "Mona Lisa" treatment (a laser makeover for the vagina), and documents the ravages of Middle Aged Madness (MAM, the female version of the midlife crisis) on her clique of friends, a couple of whom come to blows at a spa retreat. One of the problems of living in Madison World, as she calls her neighborhood in the city, is trying to stay out of the clutches of a group of Russians who are dead-set on selling her skin cream that costs $15,000. Another is that one inevitably becomes a schlepper, carrying one's entire life around in "handbags the size of burlap sacks and worn department store shopping bags and plastic grocery sacks....Your back ached and your feet hurt, but you just kept on schlepping, hoping for the day when something magical would happen and you wouldn't have to schlep no more." She finds some of that magic by living part-time in a country place she calls the Village (clearly the Hamptons), where several of her old group have retreated. There, in addition to cubs, they find SAPs, Senior Age Players, who are potential candidates for MNB, My New Boyfriend. Will Candace get one?
Sometimes funny, sometimes silly, sometimes quite sad—i.e., an accurate portrait of life in one's 50s.Pub Date: Aug. 6, 2019
ISBN: 978-0-8021-4726-4
Page Count: 272
Publisher: Grove
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
SEEN & HEARD
BOOK TO SCREEN
SEEN & HEARD
This genuine page-turner offers a whiff of white liberal self-congratulation that won’t hurt its appeal and probably spells...
The relationships between white middle-class women and their black maids in Jackson, Miss., circa 1962, reflect larger issues of racial upheaval in Mississippi-native Stockett’s ambitious first novel.
Still unmarried, to her mother’s dismay, recent Ole Miss graduate Skeeter returns to Jackson longing to be a serious writer. While playing bridge with her friends Hilly and Elizabeth, she asks Elizabeth’s seemingly docile maid Aibileen for housekeeping advice to fill the column she’s been hired to pen for a local paper. The two women begin what Skeeter considers a semi-friendship, but Aibileen, mourning her son’s recent death and devoted to Elizabeth’s neglected young daughter, is careful what she shares. Aibileen’s good friend Minnie, who works for Hilly’s increasingly senile mother, is less adept at playing the subservient game than Aibileen. When Hilly, an aggressively racist social climber, fires and then blackballs her for speaking too freely, Minnie’s audacious act of vengeance almost destroys her livelihood. Unlike oblivious Elizabeth and vicious Hilly, Skeeter is at the verge of enlightenment. Encouraged by a New York editor, she decides to write a book about the experience of black maids and enlists Aibileen’s help. For Skeeter the book is primarily a chance to prove herself as a writer. The stakes are much higher for the black women who put their lives on the line by telling their true stories. Although the exposé is published anonymously, the town’s social fabric is permanently torn. Stockett uses telling details to capture the era and does not shy from showing Skeeter’s dangerous naïveté. Skeeter’s narration is alive with complexity—her loyalty to her traditional Southern mother remains even after she learns why the beloved black maid who raised her has disappeared. In contrast, Stockett never truly gets inside Aibileen and Minnie’s heads (a risk the author acknowledges in her postscript). The scenes written in their voices verge on patronizing.
This genuine page-turner offers a whiff of white liberal self-congratulation that won’t hurt its appeal and probably spells big success.Pub Date: Feb. 10, 2009
ISBN: 978-0-399-15534-5
Page Count: 464
Publisher: Amy Einhorn/Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
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