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THE LIFE OF THE AUTHOR

NATHANIEL HAWTHORNE

A magisterial work of scholarship that may inspire greater interest in its subject’s writings.

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A literary biographical portrait of Nathaniel Hawthorne’s life and work and a spirited argument for his continued relevance.

Hawthorne is a vexing figure for any literary biographer—he was so private and emotionally elusive that his own wife, Sophia, considered him a “divine mystery.” Salwak makes a heroic attempt to peek behind that curtain of inscrutability and discover what Hawthorne called the “Inmost Me”—the core of his self that he feared to reveal in his writings. What emerges from his expert labors—he has 45 years of experience studying and teaching Hawthorne and his work— is a magnificently nuanced portrait, one that deftly illuminates both the man and his writing. Born in 1804 in Salem, Massachusetts, Hawthorne felt haunted by what he saw as his “ancestors’ crimes,” a paternal pedigree of violence and intolerance; his great grandfather John sentenced hundreds of women to die during the notorious Salem witch trials. Hawthorne also had his own personal troubles: the early death of his father, also named Nathaniel, and his sister, Louisa; his youthful impoverishment; and the emotional coldness of his mother, Elizabeth. Hawthorne was inclined to become a writer at an early age, and despite profound self-doubt, he would achieve widespread recognition for his talents in his own lifetime. With uncommon interpretive sensitivity, Salwak explores Hawthorne’s works, major and minor, and explicates his preoccupation with human evil, his confrontation with his Puritan ancestry, his Calvinist worldview, and the traumas from his youth that continued to haunt him. Ultimately, the author makes a compelling case that Hawthorne remains relevant today despite the insistence of some that he’s culturally anachronistic: “He speaks powerfully to the central concerns of his time or any time, ours included. He pulls us quite uncynically across deep waters.”

Salwak intends his work to both edify and inspire an interest in his subject, and he writes as if he was preparing a “seminar for a new generation of intelligent college students disillusioned by perfunctory scholarship and unfriendly theories,” as he states early on. However, the study itself is even more engaging, as Salwak furnishes an autobiographical account of his first encounters with Hawthorne’s work as a young man who immediately was enthralled with him—a personal remembrance that affectingly captures the seductive draw of literature. Also, he makes a stirring case against the bowdlerizing of literature to avoid all possibility of offense, asserting that it robs a book of its power. Still, the best aspect of the book is Salwak’s discussion of Hawthorne’s writing and the classic author’s ability to create marvelously deep characters who allow one to enter “into morally agnostic intercourse with another mind.” The author’s discussion of Hawthorne’s most famous work, The Scarlet Letter (1850), as the first psychological novel in America is especially incisive and reveals Hawthorne’s genius for surveying the “ambiguities of moral choice.” Overall, Salwak offers an exciting introduction to an important author that focuses on close textual readings rather than fashionable literary theories.

A magisterial work of scholarship that may inspire greater interest in its subject’s writings.

Pub Date: Nov. 14, 2022

ISBN: 9781119771814

Page Count: 224

Publisher: Wiley-Blackwell

Review Posted Online: March 6, 2023

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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