A breathless, sympathetic chronicle of the wartime exploits of Josephine Baker (1906-1975).
Rather than crafting a conventional biography, Lewis concentrates on the wartime years, creating a heroic portrait of the selfless, brave, somewhat reckless, pioneering, unswervingly patriotic spy for the Allies who was active even before the Nazi occupation of Paris, where she lived and worked. In a suspenseful, serpentine narrative, the author piles on the detail about Britain’s Secret Intelligence Service in France, an agency that worked closely with the Deuxième Bureau, France’s counterespionage service. All were locked in an intelligence battle with the Abwehr, “Nazi Germany’s much expanded intelligence service,” which “sought to overwhelm and subvert her enemies.” Baker, who had been performing in Paris since the early 1920s—after fleeing her impoverished Jim Crow youth in St. Louis and experiencing further hardship in New York City—was running her own club, Chez Josephine, and hobnobbing with admirers of all nationalities. Due to her line of work, she was effective in feeling out the allegiances of significant figures from Italy, Japan, and Spain without raising suspicion. Baker’s Deuxième Bureau supervisor, Capt. Jacques Abtey, also became her lover. “Theirs would prove an intense and tumultuous affair,” writes Lewis, “but one with a special magic all of its own.” After being forced to retreat during the occupation, they worked in various remote locales and slipped effortlessly across national borders. Lewis shows readers how Baker’s difficult life experiences served her well as an agent. “Josephine had never once had it easy,” he writes. “At every stage she had had to fight, to graft and to work unbelievably hard to get ahead. Josephine was blessed with a core of steely fortitude—an unbreakable spirit that was hard wired into her soul.” The author also explores how her wartime work profoundly affected the rest of her life, imperiling her health but also setting her on the postwar course of civil rights activism.
A complex, entertaining story of intrigue and sangfroid involving a beloved, courageous hero.Pub Date: July 12, 2022
ISBN: 978-1-5417-0066-6
Page Count: 592
Publisher: PublicAffairs
Review Posted Online: May 6, 2022
Kirkus Reviews Issue: June 1, 2022
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A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 28, 2022
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The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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