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HOW TO BE A FAMILY

THE YEAR I DRAGGED MY KIDS AROUND THE WORLD TO FIND A NEW WAY TO BE TOGETHER

Slack moments aside, this memoir of travel with a family in need of change has its pleasures.

Slate editor Kois (Facing Future, 2009, etc.) looks for a little quality time with the family, finding it in adventures and misadventures around the world.

“Above all,” writes the author near the beginning, “our life as a family felt as though it were flying past in a blur of petty arguments, overworked days, exhausted nights, an inchoate longing for some kind of existence that made more sense.” The answer: Uproot. Move. Go see what the rest of the world looks like while the kids are still young. Kois and his family embarked on a journey that took them from Northern Virginia to New Zealand, the Netherlands, Costa Rica, Kansas, and back again in a whirlwind year. The book doesn’t have much of a thesis, but its slightly melancholy ending might remind cinema-minded readers of the end of Bill Forsyth’s 1983 film Local Hero. There are a few set pieces and clichés but also some nicely tuned-in observations befitting a keen-eyed journalist. For example, the author writes about how in Holland, speed laws for motor vehicles are set at 30 kilometers per hour because anything more would likely doom a pedestrian or cyclist to death. So it is that people survive such collisions in Holland, which puts a nation assured of good odds on two wheels, which, thus applied to children, “helps create the kind of independence that Dutch parents prize." The America of red-state Kansas proved more fearful but not without civic virtues; refreshingly, Kois doesn’t hammer too hard on politics even though it’s clear where his views lie. Overall, the book is a minor contribution to the literature of family (and travel, for that matter), but it’s a pleasant narrative that makes few demands on readers.

Slack moments aside, this memoir of travel with a family in need of change has its pleasures.

Pub Date: Sept. 17, 2019

ISBN: 978-0-316-55262-2

Page Count: 336

Publisher: Little, Brown

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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LUCKY

Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will...

A stunningly crafted and unsparing account of the author’s rape as a college freshman and what it took to win her case in court.

In 1981, Sebold was brutally raped on her college campus, at Syracuse University.  Sebold, a New York Times Magazinecontributor, now in her 30s, reconstructs the rape and the year following in which her assailant was brought to trial and found guilty.  When, months after the rape, she confided in her fiction professor, Tobias Wolff, he advised:  “Try, if you can, to remember everything.”  Sebold heeded his words, and the result is a memoir that reads like detective fiction, replete with police jargon, economical characterization, and film-like scene construction.  Part of Sebold’s ironic luck, besides the fact that she wasn’t killed, was that she was a virgin prior to the rape, she was wearing bulky clothing, and her rapist beat her, leaving unmistakable evidence of violence.  Sebold casts a cool eye on these facts:  “The cosmetics of rape are central to proving any case.”  Sebold critiques the sexism and misconceptions surrounding rape with neither rhetoric nor apology; she lets her experience speak for itself.  Her family, her friends, her campus community are all shaken by the brutality she survived, yet Sebold finds herself feeling more affinity with police officers she meets, as it was “in [their] world where this hideous thing had happened to me.  A world of violent crime.”  Just when Sebold believes she might surface from this world, a close friend is raped and the haunting continues.  The last section, “Aftermath,” has an unavoidable tacked-on-at-the-end feel, as Sebold crams over a decade’s worth of coping and healing into a short chapter.

Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will inspire and challenge.

Pub Date: Aug. 1, 1999

ISBN: 0-684-85782-0

Page Count: 240

Publisher: Scribner

Review Posted Online: Jan. 2, 2011

Kirkus Reviews Issue: June 1, 1999

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ONE DAY IT'LL ALL MAKE SENSE

A MEMOIR

An intriguing look at an iconoclast’s cultural accomplishments.

Beloved, controversial performer discusses fame and the deeper meanings of his life.

Common, subject of Fox News’ ire following his White House poetry recitation, has long been acclaimed as a thoughtful and deft hip-hop artist. In his memoir—co-authored by Bradley (Book of Rhymes: The Poetics of Hip Hop, 2009, etc.)—he suggests great consciousness of the cultural legacy he carries: “Chicago blackness gave me understanding, awareness, street sense, and a rhythm. I learned the way that soulful people move, act, and talk.” He portrays himself as an openhearted, curious kid, trying to understand the tumult of Chicago’s African-American South Side. Obsessed with girls from an early age, he would go to the city’s museums to meet them. At the same time, he was rhyming in private, and he gave up basketball in high school to concentrate on rap, which he saw as similarly competitive. Common writes frankly about his youthful involvement with gang culture, portrayed as an inevitable rite of passage that became increasingly violent: “Crack hit the South Side of Chicago like a balled up fist.” Varied influences—his mother, friends, artistic ambitions—steered him away from it and toward a more “conscious” existence. By 1989, his early demos as Common Sense were drawing industry attention, and he dropped out of college to pursue this calling, over his mother’s objections. Much of what follows is a funny, honest showbiz narrative, moving from hip-hop to film acting. Interestingly, each chapter begins with a “letter” to someone significant in his life: e.g., his mother and father (early chapters discuss their tumultuous relationship), Emmett Till, former girlfriend Erykah Badu and collaborator Kanye West. Additionally, his mother offers occasional italicized counterpoint. As a memoir, the book succeeds based on Common’s candor, intelligence and charm, despite occasional artificial passages and broad platitudes, and he writes powerfully about his connection with President Obama.

An intriguing look at an iconoclast’s cultural accomplishments.

Pub Date: Sept. 13, 2011

ISBN: 978-1-4516-2587-5

Page Count: -

Publisher: Atria

Review Posted Online: Aug. 1, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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