Another ex-cop writes a novel—and in this overlong but impeccably authentic law-vs.-terrorists procedural, former NYPD captain Mahoney, like Joseph Wambaugh, Robert Daley, et al., shows why a pen, as well as a gun and a badge, are standard police equipment. Mahoney's hero is nothing new: He's a generic maverick NYPD detective, Brian McKenna, whose antics have gotten him exiled to Brooklyn. What is fresh is the author's astonishingly tight, almost minute-by-minute detailing of the five-day case that returns McKenna to the ``Bright Lights'' (Manhattan). The cop's break comes when he notes a suspicious character and trails him to a drug lair, where the cop kills the suspect in a shootout. That burst of violence, as it turns out, is the story's last until the final pages—a great rarity for a cop novel, but McKenna's intense focus on the nuts-and-bolts of detection and on bureaucratic cop-intrigue keeps the narrative energy pumping, albeit fitfully. Taped to the dead man's back are a severed finger and a photo of the amputee- -clues to a kidnapping, figures McKenna, who uses this discovery, plus his friendship with the chief of detectives, to lever onto Manhattan's Major Case Squad. Recognizing the amputee's shirt as a Brooks Brothers, the cop i.d.s the man as a rich Peruvian, while other clues point to the kidnappers as members of Peru's Shining Path guerrilla group. Piece by difficult piece, McKenna and his squad—fencing with brass and the obligatorily incompetent FBI agent, and using subterfuge, surveillance, phone taps, high-tech cameras, etc.—home in on the kidnappers' Spanish Harlem den. In a tense and moving conclusion, the cops raid the hideout—with the avowal, in order to prevent further kidnappings, to take no prisoners.... Short on action but very long on insider's savvy: a strong bet for patient police-procedural fans.
Pub Date: May 27, 1993
ISBN: 0-312-09288-1
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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