A sophisticated but unsettling childhood mystery that appeals to both the head and heart.
A Canadian outdoorsman senses that he’s been reincarnated from an earlier age in this novel by Martin.
Martin (Taming Spirit, 2024) makes valiant attempts here to pull off a complex blend of historical fiction and psychological thriller. The novel begins in Alberta where Hartman Meyer, the oldest boy in a family of five, obsesses with exploring the lagoon that runs between his family’s farm and the neighbor’s property. When he travels the water, he looks for chert, a hard, opaque rock that the area’s first peoples used to make spearheads. He makes his own spears, but they can’t rival a genuine serrated spearhead that he finds—one that seems oddly familiar to him. In 1974, when Hartman turns 12, the wealthy Barrymore family moves in across from the Meyer farm. Like Hartman’s family, the Barrymore’s have three children, one of whom, Elizabeth, tickles Hartman’s fancy. But her older brother, Tyrone, is a bully. One day, while in a canoe in the lagoon, Tyrone slingshots lead balls at Hartman’s face and then paddles at full speed at him. Hartman holds his spear at the ready, and when the two boys connect, he drives it deep into Tyrone’s “soft belly” then pulls it out, and drops it into the lagoon. Hartman tells investigators it was the pole he used to push his raft that splintered and killed Tyrone by accident, but he knows it was murder, and he’s haunted by nightmares. Eventually, Elizabeth convinces him to go to a hypnotherapist to learn more about his nightmares, and then the book takes a dramatic shift back into the past. (Hartman’s therapist tells him he’s lived past lives.) Martin’s prose is elegant throughout and features well-developed characters and believable conversations. The author’s sense of humor also cuts through, such as when Hartman and his brother christen their watercraft “the Piss Cutter” and “relished the vulgarity that rolled off our tongues.” The descriptions of western Canada’s landscape will make readers want to pack their bags and head north. The therapy sections of the book also benefit from Martin’s many years as a psychotherapist.
A sophisticated but unsettling childhood mystery that appeals to both the head and heart.Pub Date: Oct. 26, 2025
ISBN: 9798271562563
Page Count: 325
Publisher: Independently Published
Review Posted Online: Sept. 24, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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