Even so, Sleigh crafts a monumental tale about momentous events on the edge of the known world, an effort resulting in a...
A sprawling historical charts the 1650 arrival of the Dutch in what is now South Africa and limns the troubles that followed.
Real-life figures stand at the heart of South African National Archives researcher Sleigh’s first outing, reputed to have been two decades and more in the making. Early on, one of those figures, Jan van Riebeeck, arrives at Cape Town as colonial governor for the Dutch East India Company and loses little time in transforming the native landscape while dreaming of better things to come: “Where this Fort is standing now, will be a big town one day.” His native opposite, also real, is the Goringhaicona leader Autshumao, known as Chief Harry to the English (and Herrie to the Dutch). Even once Herrie accepts the notion that there will always be Hollanders on his territory, and that “the whole world would be made different,” he is a most reluctant ally: He’d rather be speaking English, the only thing he has to barter. But the Dutch do business otherwise, and they soon war on the native peoples. Newcomers and indigenes die, and Herrie becomes the first prisoner on Robben Island, where Nelson Mandela would later spend so many years. In turn, van Riebeeck adopts a Goringhaicona girl, the resonantly named Eva, mother of the colony’s first mixed-blood, a girl whom many love but few know. Sleigh’s ambitious tale, which weaves the lives of seven major characters and many minor ones into a packed and occasionally even crowded narrative, is far better written than the standard textbook, but it sometimes has a textbookish feel all the same; a reader without some knowledge of the South African past and an ability to keep track of Sleigh’s detailed subplots about the fates of doomed warriors and pensive women may soon feel lost.
Even so, Sleigh crafts a monumental tale about momentous events on the edge of the known world, an effort resulting in a major contribution to modern South African literature.Pub Date: April 1, 2005
ISBN: 0-15-101115-X
Page Count: 768
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
PERSPECTIVES
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