A backwoods village becomes hell on earth in Jennings's (Mosquito Games, 1989, Women of Granite, 1992) newest heavy-handed saga of bleak prospects and endlessly battered souls in up-country New Hampshire. Along the Whispering Turnpike, a dead-end road whose culminating mountain of gravel is a favorite of suicide drivers, Hank Rodgers makes his way home. After 15 years away from Hunt's Station, he finds that it and its inhabitants have taken a turn for the worse. The ubiquitous toxic dumps of Hunt Waste Management have fouled earth, air, and heart, leaving all in their vicinity (except the ravens and crows, which thrive) at death's door. Hank's return lightens the gloom: He fans the desire of 17-year-old Maggie Parriss, the last child born in town, to leave and not look back; he rekindles the passion of his ex-lover Clare Hunt, daughter of the evil dump-owner turned invalid and recluse; he plays the prodigal son to his bitter, wasted, banjo-wizard father, who for years has mesmerized Hunt's Station with his woeful, wailing country music but has recently used his banjo to bash in the skull of a reporter snooping around the town's subterranean fires and open pits. Hank brings matters to a head, though, when he takes Dad's old souped-up Pontiac down the Turnpike to challenge his own demons and in the process runs over Dirty Willy, the company foreman/hitman, who crawls back to his boss's biggest pit, sets himself ablaze, and jumps in, knowing that the ensuing conflagration will consume everything. Hank joins the survivors, but his father pays the price for his crime, joining old man Hunt in waiting for the flames to release them. Making a virtue of the absence of subtlety seems to be Jennings's m.o., but this willfully overwritten story, like his others, is in this case both overwrought and ludicrous: a cartoon- novel in which the effects are as striking as they are strikingly superficial. (Author tour)
Pub Date: March 1, 1996
ISBN: 0-15-100188-X
Page Count: 176
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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