An engaging stand-alone thriller but also an intelligent addition to its series.
Ridenour’s (Behind the Mask, 2016) second thriller featuring Alexis “Lexie” Montgomery transplants the FBI agent from her New Orleans home to the swamps and mud of South Carolina.
Thirty-two-year-old Lexie’s Southern heritage and previous undercover experience working with extremist groups make her the ideal candidate to investigate a case near Pawleys Island that involves the Earth Liberation Front, an international underground organization that sabotages groups that it sees as profiting from environmental destruction. Allegedly, the ELF blew up a work site office owned by Global Resources Inc., a corporation constructing a bridge from the mainland to the pristine Spirit Island, the site of a planned “high-dollar resort.” Dwight Jacobson, the company’s CEO, belongs to a powerful Charleston, South Carolina, family that “no one messes with”—until now. Dwight’s estranged older son, Jeffrey, who goes by “JJ,” is a “hippy” out West; his younger son, Aaron, works “for daddy.” Lexie poses as a nature photographer and befriends Capt. Meade, an old river boatman. When the two spot a seaplane landing on nearby Cat Island, Lexie suspects the locale is being used for criminal activity. Meade tells her it’s an evil place, and Lexie’s cohort, Special Agent Don West, agrees that the island shouldn’t be explored. Ignoring them, Lexie goes there on a boat rented from handsome Logan Burkhart, whose eyes are “the color of molten chocolate.” Unsurprisingly, Lexie meets with danger on Cat Island and, later, on the mainland. Ridenour gives this thriller a vivid sense of place and a timely topic in eco-terrorism. Much of its authenticity owes itself to the author living near the real-life Pawleys Island and to her previous career as an FBI undercover operative infiltrating criminal organizations, including one comprised of domestic terrorists. Another plus, in addition to the novel’s realistic plot and believable dialogue, is its depiction of an aggressive, dedicated, and charming female protagonist. Tension effectively builds as Lexie’s overconfidence and overly trusting nature backfires, thrusting her into life-threatening situations and trouble with the bureau.
An engaging stand-alone thriller but also an intelligent addition to its series.Pub Date: Aug. 1, 2017
ISBN: 978-1-944193-94-2
Page Count: 378
Publisher: Deeds Publishing
Review Posted Online: Aug. 22, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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