by Daniel Defoe & developed by Bee Gang ‧ RELEASE DATE: Dec. 15, 2011
Readers themselves will be in need of rescue from this abominable adaptation.
A drastically abbreviated and uncommonly inept version of the classic survival tale.
Crusoe’s paraphrased narrative sweeps through the original’s major events up to the stranded traveler’s rescue—then on the last page suddenly cuts to a scene from Defoe’s lesser-known sequel for a one paragraph account of Friday’s death. The classic tale has been slashed to 15 screens of large text that is well-stocked with typos and interleaved with clumsy, sometimes irrelevant tilt- or touch-sensitive cartoon illustrations. Interactive effects include a “shooting gallery” in which the rifle points away from the moving pirate and a platter that inexplicably slides back and forth on the table in Crusoe’s shack. There are several screens on which foliage that can’t be completely moved aside covers parts of the text, and the superfluous firelit set of grimacing “cannibals” and flickable skulls have nothing whatsoever to do with the accompanying narrative. Furthermore, the menu’s index icon opens a tiny window almost impossible to scroll, and (in this version) the change-language icon shows only an option for English.
Readers themselves will be in need of rescue from this abominable adaptation. (iPad storybook app. 9-11)Pub Date: Dec. 15, 2011
ISBN: N/A
Page Count: -
Publisher: Bee Gang
Review Posted Online: Jan. 17, 2012
Kirkus Reviews Issue: Feb. 1, 2012
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by Daniel Defoe & illustrated by Penko Gelev & retold by Ian Graham
by Julia Alvarez ‧ RELEASE DATE: March 1, 2001
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Julia Alvarez ‧ RELEASE DATE: Jan. 13, 2009
Though it lacks nuance, still a must-read.
Tyler is the son of generations of Vermont dairy farmers.
Mari is the Mexican-born daughter of undocumented migrant laborers whose mother has vanished in a perilous border crossing. When Tyler’s father is disabled in an accident, the only way the family can afford to keep the farm is by hiring Mari’s family. As Tyler and Mari’s friendship grows, the normal tensions of middle-school boy-girl friendships are complicated by philosophical and political truths. Tyler wonders how he can be a patriot while his family breaks the law. Mari worries about her vanished mother and lives in fear that she will be separated from her American-born sisters if la migra comes. Unashamedly didactic, Alvarez’s novel effectively complicates simple equivalencies between what’s illegal and what’s wrong. Mari’s experience is harrowing, with implied atrocities and immigration raids, but equally full of good people doing the best they can. The two children find hope despite the unhappily realistic conclusions to their troubles, in a story which sees the best in humanity alongside grim realities.
Though it lacks nuance, still a must-read. (Fiction. 9-11)Pub Date: Jan. 13, 2009
ISBN: 978-0-375-85838-3
Page Count: 240
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 15, 2008
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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