Readers themselves will be in need of rescue from this abominable adaptation.

READ REVIEW

ROBINSON CRUSOE

A drastically abbreviated and uncommonly inept version of the classic survival tale.

Crusoe’s paraphrased narrative sweeps through the original’s major events up to the stranded traveler’s rescue—then on the last page suddenly cuts to a scene from Defoe’s lesser-known sequel for a one paragraph account of Friday’s death. The classic tale has been slashed to 15 screens of large text that is well-stocked with typos and interleaved with clumsy, sometimes irrelevant tilt- or touch-sensitive cartoon illustrations. Interactive effects include a “shooting gallery” in which the rifle points away from the moving pirate and a platter that inexplicably slides back and forth on the table in Crusoe’s shack. There are several screens on which foliage that can’t be completely moved aside covers parts of the text, and the superfluous firelit set of grimacing “cannibals” and flickable skulls have nothing whatsoever to do with the accompanying narrative. Furthermore, the menu’s index icon opens a tiny window almost impossible to scroll, and (in this version) the change-language icon shows only an option for English.

Readers themselves will be in need of rescue from this abominable adaptation. (iPad storybook app. 9-11)

Pub Date: Dec. 15, 2011

ISBN: N/A

Page Count: -

Publisher: Bee Gang

Review Posted Online: Jan. 18, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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THE ADVENTURES OF CAPTAIN UNDERPANTS

In the fine old tradition of James Marshall's Cut-Ups, Pilkey (God Bless the Gargoyles, 1996, etc.) introduces George Beard and Harold Hutchins, two usually responsible fourth-graders, as in ``whenever anything bad happened, George and Harold were usually responsible.'' Pranksters of the first order, George and Harold are finally nabbed by Mr. Krupp, the principal, whom they then hypnotize into believing he's Captain Underpants, a superhero of their own creation. Before they can stop him, he's out the window in cape and briefs, off to fight crime with Wedgie Power, taking on bank robbers, robot thieves—`` `You know,' said George, `up until now this story was almost believable!' ''—and ultimately the evil Dr. Diaper. Distracting Dr. Diaper with some ``fake doggy doo- doo,'' the boys save the planet, then hustle Krupp back into his clothes, just in time for—their next adventure, The Attack of the Talking Toilets, coming soon. Pilkey's stubby black-and-white cartoon figures appear on every page but can be animated in one chapter, thanks to ``Flip-O-Rama,'' where readers flip pages back and forth for the ``latest in cheesy animation technology.'' There'll be no silence in the library once readers get hold of this somewhat classier alternative to Barf-o-Rama books and their crude ilk. (Fiction. 9-11)

Pub Date: Sept. 1, 1997

ISBN: 0-590-84627-2

Page Count: 121

Publisher: Blue Sky/Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1997

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