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ON WHALE ISLAND

NOTES FROM A PLACE I NEVER MEANT TO LEAVE

A taste of living theater, with all its entanglements, fragments, and doldrums.

A fleshed-out diary of a year spent on an island—man, woman, child, dogs—that, in its reflection of the quotidian, isn’t always totally engaging.

With a piece of the cash from his bestselling My Old Man and the Sea (1995), Hays purchased an island off the Canadian coast, 50 acres of unedited earth surrounded by the North Atlantic. It’s a place, as Hays tells it in his plainspoken, intelligent voice, to escape civilization, a wild land where he can find himself. Except now he has a wife and Stephan, her 11-year-old son, with all that age’s bright and dim spots. So what Hays must do is find himself within the matrix of family as he basks in the glory of the island landscape, a task he chronicles in this catalogue of days. Much of the material, though nicely shaped, is simply a recounting of activities: putting up wood for winter (though how they burn all that unseasoned wood is a mystery), making a dock, building and rebuilding all the stuff they need (and, killing time, don’t need: “Now comes the really stupid part: having forgotten why I am putting an unneeded shelf nowhere useful”). There is the process of getting to know Stephan, perhaps the most captivating aspect of the story, and the incessant bickering with his wife, perhaps the least captivating, though certainly the most pervasive. The island itself, which appears in fits and starts throughout the narrative, is an enigma—its heart an impenetrable spruce thicket—and readers must accept Hays’s love of the place rather than share it. What does come intensely across are those blood-red skies, all that weather, shrieking winds, stormy seas, and bell-clear days.

A taste of living theater, with all its entanglements, fragments, and doldrums.

Pub Date: June 7, 2002

ISBN: 1-56512-345-X

Page Count: 240

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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