Smartly entertaining, if not entirely convincing, lampoon of contemporary fame and the celebrity biography.
The second English translation from the young German author (Measuring the World, 2006).
Sebastian Zollner is a journalist, a vocation for which he is spectacularly unsuited. His strongest—really, only—character trait is self-absorption, which makes him a thoroughly unperceptive observer. He might be the world’s most boorish art critic, and his most recent endeavor—the biography of a reclusive artist who will, with any luck, soon be dead—is compelling not so much because he’s interested in the man’s work, but because Zollner is pretty sure that he can get “a first-serial deal in one of the major color magazines.” But it turns out that Zollner is no match for Manuel Kaminski. A contemporary of Marc Chagall and Pablo Picasso, Kaminski never quite achieved the acclaim of those modern luminaries, but he did achieve a certain kind of fame as a painter who worked while going blind. But before Zollner can discover whether Kaminski is a genius, a fraud, or both, the old man convinces his biographer to take him on a quest to find a lover whom he had thought was lost forever. While it is a less delightful story than Measuring the World, this novel is also a sort of European intellectual version of the buddy picture. Once again, Kehlmann explores a relationship between two men shaped by extraordinary circumstances—in this case, those circumstances include an untrustworthy hitchhiker and a rather pleasant prostitute. But the use of Zollner’s first-person voice doesn’t quite work. As an unreliable narrator, he is kind of hilarious, but the humanity he achieves by the end of his relationship with Kaminski will make the careful reader wonder about his cartoonish lack of empathy at the beginning of the novel.
Smartly entertaining, if not entirely convincing, lampoon of contemporary fame and the celebrity biography.Pub Date: Nov. 18, 2008
ISBN: 978-0-307-37744-9
Page Count: 208
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2008
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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