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THE HISTORY OF NOW

Absorbing, nevertheless, though the novel never lives up to the promise of its vivid early chapters and enormously appealing...

How the past influences what follows, and how self-understanding inspires broader comprehension of all things: These are the themes of this gently philosophical family chronicle, the first volume of a planned trilogy.

Klein, a veteran novelist and co-author of the whimsical bestseller Plato and a Platypus Walk Into a Bar (2008), channels his inner Thornton Wilder in this piecemeal history of a New England village (Grandville, Mass.), which combines the family-album features of Our Town with the inconclusive fatalism of The Bridge of San Luis Rey. Its central narrative focuses on Wendell deVries, heir to and proprietor of the Phoenix, a former vaudeville theater that’s now the local movie house, and on long-divorced Wendell’s family. His unmarried daughter Franny, who spearheads Grandville’s community theater group and publicly protests the Iraq War, carries burdens she’ll be unable to keep bearing. Other plots embrace Franny’s beautiful, headstrong teenaged daughter Lila; a guidance counselor obsessed with Harvard and with managing his daughter’s future; miscellaneous do-gooders and miscreants, culture vultures and over- and underachievers; and—in a slowly developing subplot—a Colombian youth, Hector Mondragon, whose flight from his country’s dangers and his own misdeeds will lead him eventually to Grandville, and a deeply ironic fulfillment of his American dream. The novel is both enriched and flawed by numerous historical flashbacks which preach the inevitability of the past’s shaping power, and there are far too many such episodes in the book’s final 100 pages. Furthermore, Wendell’s hangdog decency, which includes a genuine yearning to discover the truth about his family’s occluded ethnicity, is far too reminiscent of Richard Russo’s rumpled antiheroes—just as Klein’s plot carries excessive reminders of Empire Falls.

Absorbing, nevertheless, though the novel never lives up to the promise of its vivid early chapters and enormously appealing characters.

Pub Date: March 1, 2009

ISBN: 978-1-57962-181-0

Page Count: 296

Publisher: Permanent Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2009

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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