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LIVE AT JACKSON STATION

MUSIC, COMMUNITY, AND TRAGEDY IN A SOUTHERN BLUES BAR

Fans of the blues and lively music clubs will find this fascinating.

An account of an extraordinary Southern musical oasis and the tragedy that shut it down.

“Throughout the 1980s, Jackson Station Rhythm & Blues Club of Hodges, South Carolina, was one of the liveliest places to be,” writes sociology professor Harrison in this well-reported book. In terms of musical significance, Jackson was like a juke joint for a new generation, a place for musicians to sustain and nurture themselves and to play until sunrise for increasingly lubricated fans. It was also run by two openly gay men in a region not known for its tolerance; the no-nonsense mother of one of the men worked the door and turned away anyone she didn’t like. It was something of a safe haven where nearly anyone—gay, straight, White, Black, redneck, hippie, etc.—could mingle and enjoy the music. There were usually a few cows outside, and you could find marijuana, cocaine, and LSD if you knew where to look. Jackson served as a crucible for Widespread Panic in its early days and launched the career comeback of Nappy Brown, and it was the home away from home for touring blues artists and a place where newer acts, many from Athens, Georgia, could find a booking. Sadly, it all came crashing down when co-owner Gerald Jackson, a Vietnam vet seemingly beloved by everyone, followed a drunken customer into the parking lot to argue over a small amount of money. The customer hit Jackson in the head with an ax, which didn’t kill him but left him a quadriplegic “who needed twenty-four-hour attention.” Though Harrison tries to do a little too much with the narrative—an amalgam of musicological analysis of the history of the blues, a sociological and historical survey of the region, and the function of such a club within it—the basic facts of the story make it abundantly clear that Jackson was truly something special.

Fans of the blues and lively music clubs will find this fascinating.

Pub Date: Jan. 28, 2021

ISBN: 978-1-64336-145-1

Page Count: 256

Publisher: Univ. of South Carolina

Review Posted Online: Sept. 28, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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