Rich, complex, entertaining tales of strangers in strange lands.

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Restless men go abroad in search of sex, love, and belonging in these adventurous short stories.

Jaffe, the author of Yeled Tov (2018), sends his protagonists, most of them gay and Jewish, to unfamiliar places to encounter people and situations that stimulate them carnally and spiritually. In “The Importance of Being Jurassic,” an American reporter in Dublin encounters a closeted Catholic man who regards oral sex as a filthy sacrament, and in “Cobblestone Elegy,” a Jewish American in Prague meets the ghost of a gay Holocaust martyr. A middle-aged Soviet woman, looking for a way to immigrate to the United States, tries to lure a decades-younger American student into marriage in “Innocence Abroad.” In “The Trickster,” an aging man at a convention of “bears and chasers” in Catalonia imagines that all the young, attractive men are lusting for his corpulent body, and a new widower falls in love with a frankly businesslike yet soulful female sex worker in Seville in “El Bochorno.” In the sexually graphic “Walpurgisnacht,” a Catholic soul knocking on heaven’s gate struggles to explain to St. Peter why he engaged in a Satanic sex-murder orgy at a German bathhouse during his last night on earth. Over the course of this book, Jaffe’s lively, limpid prose features sharply etched characters and passages that shift between absurdist humor (as when a character wonders why an old man on a plane “ensconced himself toe-to-head within a 30-gallon, heavy-duty, clear plastic trash bag”), sly social observation (“No matter how many times you wink at him, he will not return your glance, will just take some book out of his bright blue backpack and read—or pretend to”), and wry sensuality. The result is a redolent blend of atmospheric travelogue, earthy physicality, satire, magical realism, and Kafkaesque disorientation—the latter most notably in “The Return,” in which a descendant of Jewish conversos returns to the Spain that his ancestors fled and finds himself bombarded with hallucinatory inducements to take up his deceased relatives’ gentile ways.

Rich, complex, entertaining tales of strangers in strange lands.

Pub Date: Sept. 8, 2020

ISBN: 978-1-73414-642-4

Page Count: 168

Publisher: Rattling Good Yarns Press

Review Posted Online: July 27, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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An alternately farcical and poignant look at family bonds.


When a family convenes at their Cape Cod summer home for a wedding, old secrets threaten to ruin everything.

Sarah Danhauser is shocked when her beloved stepdaughter announces her engagement to her boyfriend, Gabe. After all, Ruby’s only 22, and Sarah suspects that their relationship was fast-tracked because of the time they spent together in quarantine during the early days of the pandemic. Sarah’s mother, Veronica, is thrilled, mostly because she longs to have the entire family together for one last celebration before she puts their Cape Cod summer house on the market. But getting to Ruby and Gabe’s wedding might prove more difficult than anyone thought. Sarah can’t figure out why her husband, Eli, has been so distant and distracted ever since Ruby moved home to Park Slope (bringing Gabe with her), and she's afraid he may be having an affair. Veronica is afraid that a long-ago dalliance might come back to bite her. Ruby isn’t sure how to process the conflicting feelings she’s having about her upcoming nuptials. And Sam, Sarah’s twin brother, is a recent widower who’s dealing with some pretty big romantic confusion. As the entire extended family, along with Gabe’s relatives, converges on the summer house, secrets become impossible to keep, and it quickly becomes clear that this might not be the perfect gathering Veronica was envisioning. If they make it to the wedding, will their family survive the aftermath? Weiner creates a story with all the misunderstandings and miscommunications of a screwball comedy or a Shakespeare play (think A Midsummer Night’s Dream). But the surprising, over-the-top actions of the characters are grounded by a realistic and moving look at grief and ambition (particularly for Sarah and Veronica, both of whom give up demanding creative careers early on). At times the flashbacks can slow down the story, but even when the characters are lying, cheating, and hiding from each other, they still seem like a real and loving family.

An alternately farcical and poignant look at family bonds.

Pub Date: May 10, 2022

ISBN: 978-1-5011-3357-2

Page Count: 432

Publisher: Atria

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

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A curious fetishization of outsiders, outlaws, and the down-and-out.


This debut novel from Walking Dead actor Reedus follows three thematically connected yet narratively unrelated people as they journey to find themselves.

Hunter, a heavily tatted Iraq War vet and self-proclaimed gearhead, attacks his boss at the bike shop after catching him kicking a dog. “Hunter was old school,” the narrator says, rough-hewn but with strong moral fiber and a heart of gold. After learning his father died in a “mysterious house fire” in California, Hunter hops on his Buell S1 motorcycle alongside his buddies Nugget and Itch for a cross-country haul to execute the will. Meanwhile, a wealthy 65-year-old executive named Jack is mugged while traveling aimlessly through South America, neither the first nor the last of his hardships. Jack abandoned his cushy, bloodless office lifestyle after his dying mother told him to “run and never look back,” words he continuously labors to unpack. Finally, Anne, an abused teenage girl in Tennessee, steals her father’s savings and .38 revolver and runs away from home, clobbering her brother upside the head with a cast-iron skillet when he tries to stop her. She connects with her friend Trot, and they join a community of train-hoppers. Co-written by Bill, the story reads like a pastiche of Robert Pirsig’s Zen and the Art of Motorcycle Maintenance and Jack Kerouac’s On the Road, the latter of which is name-dropped as “great” by multiple characters. Though occasionally hitting some beautiful imagery of the American heartland, Reedus falls victim to implausible dialogue—“Fabiola, you are reading me like a stock report,” Jack says—and overcooked language: “flesh the color of a high-dollar medium-roast coffee bean.” Frequently wordy summaries do little to develop the thinly sketched characters; we know nearly as much about them on Page 25 as on Page 250.

A curious fetishization of outsiders, outlaws, and the down-and-out.

Pub Date: May 10, 2022

ISBN: 978-1-09-416680-3

Page Count: 292

Publisher: Blackstone

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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