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YELED TOV

An empathetic story of faith and desire.

Awards & Accolades

Our Verdict

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Jaffe’s (The Genealogy of Understanding, 2014, etc.) coming-of-age novel tells the story of a Jewish adolescent attempting to square his homosexuality with the teachings of his religion.

On the cusp of his 16th birthday, Jake Stein notices a prohibition in the book of Leviticus that never caught his eye before: “ ‘Thou shalt not lie with mankind as with womankind; it is abomination.’…Jake read further still: anyone who committed such abomination ‘shall be cut off from among their people.’ ” As part of a Conservative Jewish family in 1970s South Jersey, the dictates of his religion are important to Jake—and even more important to his father, Sol. At the same time, Jake has been fantasizing about some of his male teachers and engaging in sexual exploration with his best friend, Dave. Jake joins the school play in hopes of finding a distraction from this identity crisis, but it only makes things worse: The play is The Diary of Anne Frank, a story laden with heavy guilt, and he quickly becomes obsessed with the lead actor, Steve. Jake concocts daydreams around his unrequited attraction but ends up feeling as lonely as ever. He attends Princeton University after high school, still committed to trying to be a yeled tov—a good Jewish boy—but the temptations at college prove even greater than those in high school. Throughout the novel, Jaffe writes in a polished prose style that successfully captures Jake’s anxiety from his perspective: “Jake glanced quickly down at his book, but couldn’t read what now appeared to be one big blur. His stomach clutched and his breathing nearly halted. Streams of perspiration jetted out under his arms.” Along the way, he does an admirable job of locating Jake’s conflict in the particulars of Judaism and Jewish culture while also presenting a story that will feel relatable to a wide audience. Jake’s road to self-acceptance is a long one, and it will perhaps frustrate some readers. But the details of his experience are so particular and humanizing that most people will stick right with him to the end.

An empathetic story of faith and desire.

Pub Date: April 18, 2018

ISBN: 978-1-59021-671-2

Page Count: 308

Publisher: Lethe Press

Review Posted Online: April 17, 2018

Kirkus Reviews Issue: June 1, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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