Funny, scary, often wonderful meditations on Jews encountering the inexplicable.



Twenty-five highly literate fantasies of Jews around the world, by Jews around the world.

In his introduction, editor and Russian translator Jaffe, a former lawyer who now writes and teaches fiction, traces the Jewish fabulist fiction of I.B. Singer, Stanley Elkin, and even Woody Allen back to biblical miracle tales. None of those writers is represented here: instead Jaffe has gathered an international assortment of lesser-knowns whose use of the fantastic ranges from the magical realism of Iranian Avi Shmuelian’s “Moonstruck Sunflowers,” about a medieval sorcerer who dispatches supernatural justice upon a malevolent eye surgeon, to the slap-shtick of American Steve Stern’s “Tale of the Kite,” about the way the faith of a Jewish enclave in Memphis, is threatened by a levitating Hassidic rabbi “living mostly on air and the strained generosity of in-laws.” John Shepley’s “A Golem of Prague” winks at I.B. Singer’s shtetel tales, but here the golem metaphorizes the irrelevance of folk beliefs in a contemporary city. A mother’s cooking comes back to haunt a family in Argentina, in Daniel Urlanovsky Sack’s “Home Cooking,” while the historical Sabbati Levi, who falsely proclaimed himself a messiah, contemplates the contradictions of homosexual love while imprisoned in Cuban Angelina Muniz-Huberman’s “The Tower of Gallipoli.” Several stories examine the moral ambiguity of modern, assimilated Jewishness, from the predatory Israeli felines in Ruth Knafo Setton’s “Cat Garden” to the sentient and inflatable toy doll in Joe Hill’s defiantly wonderful “Pop Art” and Joan Leegant’s “The Tenth,” in which a rabbi wonders if a set of Siamese twins, mysteriously recruited to make up the necessary ten men for a Jewish service, count as one man, or two, or something far more terrifying.

Funny, scary, often wonderful meditations on Jews encountering the inexplicable.

Pub Date: May 1, 2001

ISBN: 0-9679683-5-6

Page Count: 360

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2001

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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