A well-told story that underscores the power of storytelling.



An account of the lessons learned by a son and his father as they study the Greek epic together.

There have been plenty of gimmicky books about returning to the classics and unearthing the contemporary implications and timeless wisdom therein. This sharply intelligent and deeply felt work operates on an entirely different level—several of them, in fact. A frequent contributor to the New Yorker and New York Times Book Review and winner of the National Book Critics Circle Award for Autobiography, Mendelsohn (Waiting for the Barbarians: Essays from the Classics to Pop Culture, 2012, etc.) is also a classics scholar who teaches a seminar on The Odyssey at Bard College. His father, a retired mathematician and research scientist, had been interested in the classics during his school days and decided to continue his education by studying with his son. The two also embarked on an educational cruise that attempts to re-create the journey of Odysseus. This would seem to present challenges for a man nearing his 82nd birthday, but it proved to be more of a trial for his son. Ultimately, this is a book about what they learn about each other and what they know about each other and what they can never know about each other. The author uses a close reading of the epic to illuminate the mysteries of the human condition, and he skillfully and subtly interweaves the classroom textual analysis and the lessons of the life outside it. “That’s how I was trained, and that’s how the people who trained me were trained,” he writes. “If the work has real coherence, all these details will add up, even if they’re not noticeable at first and even if the big picture isn’t clear. Only by means of close reading can we understand what the big picture is and how the pieces, the small things, fit into it.” Revelations for Mendelsohn provide epiphanies for readers as well.

A well-told story that underscores the power of storytelling.

Pub Date: Sept. 12, 2017

ISBN: 978-0-385-35059-4

Page Count: 256

Publisher: Knopf

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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