by Danila Botha ‧ RELEASE DATE: May 25, 2026
A beautifully illustrated work of historical fiction that’s as touching as it is delightful.
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In Botha’s graphic novel, an Israeli Jew finds himself caught in Nazi-occupied France.
Vidal Ben Soussan is born in Tiberias to fourth-generation Moroccan Jewish parents. He’s one of six children who live in a small stone house and speak a mix of Arabic, Hebrew, and French. Though Vidal has a twin brother, he’s closest to his younger sister, Mazal. The two of them do everything together and dream of one day living their lives in Paris. After Vidal graduates from Technion, an Israeli university, and Mazal graduates from high school, the two siblings realize their dream. In Paris, Vidal quickly falls for Sylvie, the sister of his university friend, who comes from a wealthy Jewish family. The couple marries and has two daughters. It’s sadly not long before Hitler invades France, alongside the alarming spread of antisemitism and xenophobia. Some join the Jewish Resistance (as Vidal secretly does), while others, like several members of Sylvie’s family, flee the country. Sylvie, however, wants to stay, and she isn’t afraid to show that she’s Jewish. Vidal worries about the family’s safety and insists that, at the very least, they find a place to hide their daughters. He’s later separated from his wife and children and stays under the radar as long as he can. But Nazis arrest Vidal and send him to Auschwitz, where he and many other Jews suffer horrible treatment. He vows to keep himself alive so he can see his family again, both in Paris and Tiberias.
Botha’s story is delivered via Vidal’s sketchbooks and journals. Because the eponymous character loves art, this graphic novel overflows with his paintings. The entire book is visually lush, with pages of expressionist artwork featuring thick, bold lines and bright pastels. (Highlights include Technion’s massive library of books and a full-page montage depicting Vidal’s life in an increasingly dangerous France.) Vidal’s absorbing life story takes readers from his childhood and teenage years in Tiberias to starting a family in an entirely new country; parts of the narrative are lighthearted, including an early and ultimately forbidden romance. Other parts are surprising, as when the happily married protagonist finds himself “tempted” when his job as a waiter puts him in the company of women. The book has several heart-wrenching scenes, such as Vidal saying goodbye to his family in Tiberias and later having to do the same with his beloved Mazal. The text is rich with cultural details illuminating the world Vidal grows up in and the one he’s introduced to later in life. While in Paris, he thinks back to the pastries his mother would make whenever someone got married: “Ghribbas, a crumbly shortbread cookie. Cigars, a fried brik pastry stuffed with almond paste and doused in a honey syrup. Hazelnut moons. Almond macarons. Dates and walnuts stuffed with marzipan. Little marzipan triangles.” Words from Vidal’s family members, which open and close this narrative, further develop this vivid portrait of a man who refuses to give up on life, even at its most harrowing.
A beautifully illustrated work of historical fiction that’s as touching as it is delightful.Pub Date: May 25, 2026
ISBN: 9781998779925
Page Count: 120
Publisher: At Bay Press
Review Posted Online: Sept. 11, 2026
Review Program: Kirkus Indie
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by Danila Botha
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by James Patterson & David Ellis ‧ RELEASE DATE: Sept. 21, 2026
A novel that’s lacking both as fiction and history.
The latest Patterson co-write dramatizes unproven rumors that Adolf Hitler shot and killed his 23-year-old half niece, Geli Raubal, in Munich in 1931 in a fit of jealousy.
As with other young women in his past, Hitler essentially kept Raubal captive and forced her to participate in perverse sexual rituals with him. The murder occurs after she tells him she’s leaving Munich for Vienna to be with a man she intends to marry. (Fictional) police detective Thomas Bauer, a war hero whose wife and children are Jewish, risks his life over and over to nail Hitler for the crime (which is ruled a suicide) as the fascist state evolves and concentration camp horrors unfold. Periodically, the action shifts to the present, when in brief superfluous scenes an American professor, Eleanor Robbins, is mysteriously targeted for her efforts to obtain films of Hitler’s final moments with Raubal. The portrayal of Hitler is so caricatured that he casts a thin shadow here—as do the evil trio of Goebbels, Himmler, and Göring—depriving the story of urgency. The authors are more comfortable offsetting sobering, dutifully rolled out facts about Hitler’s rise and fall with breezy entertainment. Bauer, a master of the wisecrack, teams up with a young former intelligence officer in buddy-movie fashion. In one of this overlong novel’s best scenes, Raubal—the subject of much better novels, including Ron Hansen’s Hitler’s Niece (1999)—goes to a nightclub with Hitler; once there, he nudges her into showing off her vocal skills, only to have her ruffle his insecurities by stealing attention. In the end, Robbins pronounces, “Everything that happened…could have been prevented, if honest people had been allowed to simply do their jobs.” Fat chance of that.
A novel that’s lacking both as fiction and history.Pub Date: Sept. 21, 2026
ISBN: 9780316404099
Page Count: 528
Publisher: Little, Brown
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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by MrBeast & James Patterson
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