During a time of political, economic, and social upheaval across the United States, Williams’ grounded optimism is a...

WHAT I FOUND IN A THOUSAND TOWNS

A TRAVELING MUSICIAN'S GUIDE TO REBUILDING AMERICA'S COMMUNITIES: ONE COFFEE SHOP, DOG RUN, AND OPEN-MIKE NIGHT AT A TIME

The singer/songwriter builds on her decades as a touring performer to offer bracing examples of small cities that have found ways to thrive.

In a series of chapters about specific locales, William (Lights, Camera, Amalee, 2006, etc.) is both descriptive and prescriptive. She bolsters her keen sense of observation with interviews of local reformers and occasional forays into urban planning theories. In addition, the author synthesizes what she has observed and heard to provide specific, practical suggestions about how struggling towns can seek improvements. In the first of the book’s three sections, Williams focuses on outdoor spaces that have been converted to a new use, such as a barren hillside turned into a sledding park, and on spaces created by nature that require no radical transformation. Although she mentions numerous cities where she has resided and/or performed, the first section focuses most thoroughly on Beacon, New York; Moab, Utah; and Wilmington, Delaware. In the second section of the book, Williams elaborates on how to build healthy small cities through emphasizing historic factors (Phoenixville, Pennsylvania), cultural factors (Carrboro, North Carolina), and local food (the Finger Lakes region of New York). In the final section, primarily about Middletown, Connecticut, and Gainesville, Florida, the author emphasizes the importance of figuring out the core of the local character and spreading the news to residents as well as tourists. The principle connecting all of Williams’ examinations is something she terms “positive proximity,” which begins when city residents who normally live in relative isolation come together to pool their enthusiasms and skills. Williams stresses inclusiveness as part of proximity, giving examples of how residents of all races and backgrounds cooperate for the good of all concerned.

During a time of political, economic, and social upheaval across the United States, Williams’ grounded optimism is a refreshing corrective.

Pub Date: Sept. 12, 2017

ISBN: 978-0-465-09896-5

Page Count: 288

Publisher: Basic

Review Posted Online: June 13, 2017

Kirkus Reviews Issue: July 1, 2017

Did you like this book?

No Comments Yet

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

more