ALL OTHER NIGHTS

Horn (The World to Come, 2006, etc.) details the adventures of a young Jewish spy for the Union.

In the hours before Passover 1862, 19-year-old Jacob Rappaport emerges from a smuggler’s barrel onto the New Orleans waterfront. The son of a wealthy New York merchant, he joined the Union Army to avoid an arranged marriage and has been sent South to kill his Uncle Harry, suspected (rightly) of planning to assassinate Lincoln. Jacob slips poison into his uncle’s seder wine, and Harry expires spectacularly, vomiting black bile onto the silver trays. Regrettably, this is the most dramatic moment in the novel. Jacob’s next assignment is to infiltrate a Virginia household and marry beautiful Rebel spy Eugenia Levy. Assisted by her three sisters, she’s passing on military secrets blabbed by a Union officer too pompous to realize “that ladies also have brains.” Horn’s Dan Brown–like fascination with codes and passwords is unlikely to be shared by readers, nor is the romance terribly compelling. Jacob falls for Eugenia and succeeds in marrying her, but his ambivalent vacillations between shame and bravado make him a weak hero. Eventually the sisters are arrested and Eugenia is reported dead: more shame for Jacob, who has now betrayed his wife as well as killed his uncle. His mission is over, but the novel is only half finished. Jacob returns to the South as a regular soldier—primarily, one suspects, so Horn can work Grant’s order to expel Jews into the plot. Crippled and partially blinded in an accident, Jacob volunteers for one last mission, which involves gaining the trust of Judah Benjamin, the Jewish brains behind the Confederacy in Richmond. Two big questions remain: Is Eugenia still alive? Will Jacob be a fool for love? Make that three: Does anyone care?

Turgid and meandering.

Pub Date: April 1, 2009

ISBN: 978-0-393-06492-6

Page Count: 384

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2009

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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