Sheds welcome light on little-known aspects of the interaction of Indigenous peoples with politically dominant outsiders.

PEYAKOW

RECLAIMING CREE DIGNITY

A Canadian Cree works to reclaim Native peoples’ traditional cultures and birthright lands.

In this follow-up to his standout first memoir Mamaskatch (2019), McLeod opens with an imagined reconstruction of the first encounter between Cree and White interlopers, one characterized by mutual misunderstanding. The White invaders’ potent combination of religion and firearms won out. In the present, McLeod writes of his interactions with two worlds. Born in Alberta but at a remove from Cree culture, the author has devoted much time to learning their language and traditions as well as those of other Canadian First Nations: “Was I trying to get back to my roots, or was it simply more escapism, a distraction to avoid my predicament—a collapsed and diminishing family, sexual confusion, an uncertain future, a constant fear of falling into a downward spiral and losing everything?” He answered his searching question with a yearslong flurry of activism and activity. A former teacher with extensive training in French and a natural politician, McLeod quickly fell into a succession of roles involving the negotiation and renegotiation of treaties. Particularly newsworthy are his investigations over a long period of Native children victimized by the residential school system, forcing a pro forma apology on the part of the Canadian government that acknowledged “that the existence of the schools was profoundly disrespectful of Aboriginal people.” Every such acknowledgment, every line of every treaty, came at the cost of considerable legal, linguistic, and cultural wrangling. At times, the weary author confesses to wanting to retreat to his quiet home on the shores of British Columbia and play piano. His memoir has its longueurs, but the narrative is spiked with moments of drama, as when he discovers hidden corruption between the lines of legal documents and decries the inauguration of a conservative government bent on undoing even the most tentative efforts at restitution.

Sheds welcome light on little-known aspects of the interaction of Indigenous peoples with politically dominant outsiders.

Pub Date: Aug. 10, 2021

ISBN: 978-1-57131-397-3

Page Count: 256

Publisher: Milkweed

Review Posted Online: July 28, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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